Basic form of the Calderon coat of arms
Colonel Sir Walter Coote Hedley c. 1920
Christmas 1901 Cartoon by George Calderon
Monarch Butterfly Madeira
George Calderon c.1901
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Jean Ryckaert, May 1916.
Patrick Miles in his summer house, 11 December 2016
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George and Kittie Calderon 1905
Captain of the 11
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
The entrance to Fort Brockhurst (picture from Britain’s Past)
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Sir Richard Vincent Sutton c. 1913
George Calderon, 1912
Frontis piece by Frank Calderon
Unpublished watercolour by George Calderon, Tahiti 1906Recent Comments
- Patrick Miles on Guest Post by John Pym: A Soviet film of ‘The Lady with the Little Dog’ Many, many thanks for reprising, Johnnie, for I know how busy you are. How serendipitous that you had just seen a 'live' performance of Murnau's b&w Sunrise! I gather from... (March 14, 2025 at 10:21 am)
- John Pym on Guest Post by John Pym: A Soviet film of ‘The Lady with the Little Dog’ March 8, 2025: Last evening, I watched a digital transfer of a black-and-white movie, made by an expatriate German in California nearly a hundred years ago, in a packed town... (March 10, 2025 at 4:36 pm)
- Patrick Miles on Guest Post by John Pym: A Soviet film of ‘The Lady with the Little Dog’ Your response here is (obviously) deeply informed... Thank you very much indeed. In comparing the coach ride to Simferopol in Heifitz's film with the chariot race in Ben-Hur... (March 5, 2025 at 10:01 am)
- John Pym on Guest Post by John Pym: A Soviet film of ‘The Lady with the Little Dog’ Black-and-white camerawork was, I suspect, as natural to the director of The Lady with the Little Dog as breathing in and out or eating his breakfast. I doubt that he was... (February 28, 2025 at 11:01 pm)
- Patrick Miles on Guest Post by John Pym: A Soviet film of ‘The Lady with the Little Dog’ We are deeply favoured and honoured to publish on Calderonia the eminent film critic John Pym's magnificent tribute to Heifitz's film The Lady with the Little Dog, perfectly... (February 24, 2025 at 10:56 am)
Author Archives: Patrick Miles
A new photograph of George Calderon
Whilst sorting his family papers, Mr John Pym recently found the photograph below, which undoubtedly shows George Calderon on the right. It is a contact print of a photograph, obviously not in sharp focus, which Mr Pym and I believe … Continue reading
Posted in Edwardian character, Edwardian literature, Personal commentary
Tagged biographies, biography, boaters, Catherine Lubbock, Charles Evelyn Pym, comments, Emmetts, Evey Pym, Foxwold, George Calderon, George Calderon: Edwardian Genius, Harvard University, Houghton Library, identification, Jane Hannah Backhouse Pym, Jim Corbet, John Pym, Johnnie Pym, Kittie Calderon, Lubbock family, Massachusetts, Nina Corbet, Violet Pym, visitors books, Weigh-in Book
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‘Lady Chatterley’s Lover’: Fragments of a response
When I read the novel for the first time, I was bemused by the in-your-face tone of the narrator, who is even given to exclamatory comments: ‘But that is how men are!’ — ‘But Emma said No!’ — ‘Yes, she … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Clifford Chatterley, comments, Constance Chatterley, D.H. Lawrence, Damian Grant, display, Doris Lessing, God, kittiwakes, Lady Chatterley, Lady Chatterley's Lover, letters, marriage, narrators, Oliver Mellors, orgasm, PTSD, sex, Sons of God, The Great War, The Rainbow, William Gerhardie, Women in Love, World War 2, World War I
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Guest post by Damian Grant: ‘Lady Chatterley’s Lover’ and ‘The Winter’s Tale’
This nineteenth-century engraving of Florizel and Perdita does indeed make them look — to use Lady Chatterley/Connie’s dismissive phrase about the Elizabethans — somewhat ‘upholstered’. In all the excitement — which has never quite subsided — about the sexual explicitness … Continue reading
Posted in Edwardian character, Edwardian marriage, Heroism and Adventure, Personal commentary
Tagged 'Snake', Algernon Swinburne, Byzantium, Charles Baudelaire, comments, Constance Reid, D.H. Lawrence, Florizel, Forest of Arden, George Eliot, High Park Wood, John James Audubon, John Keats, John Milton, Juno, Lady Chatterley, Lady Chatterley's Lover, Mary Russell Mitford, Michaelis, Mrs Bolton, Mrs Gaskell, Oliver Mellors, Perdita, Proserpina, Samuel Taylor Coleridge, sex, sexuality, Sir Clifford Chatterley, T.S. Eliot, The Elizabethans, The Great War, The Winter's Tale, W.B. Yeats, wild flowers, William Shakespeare, World War I, Wragby
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Lady with little dog/Gamekeeper with spaniel
Our guest posts on Women in Love opened an admirable exchange of Comments about all sorts of aspects of Lawrence’s work. I think there was a feeling, however, that we were left with an elephant in the room: Lady … Continue reading
Posted in Modern parallels, Personal commentary
Tagged A Propos of 'Lady Chatterley's Lover', Anna Sergeevna, Anton Chekhov, Clifford Chatterley, comments, compassion, Connie, Constance Chatterley, D.H. Lawrence, Damian Grant, Dmitrii Gurov, dogs, ends, Flossie, Lady Chatterley, Lady Chatterley Trial, Lady Chatterley's Lover, love, Mark Schorer, narrative endings, new marriage, Oliver Mellors, Paul Cézanne, Penguin Books, Pomeranian dogs, roman adultère, sex, tenderness, The Lady with the Little Dog, The Winter's Tale, William Shakespeare
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From the diary of a writer-publisher: 15
2 June I have never known the cow parsley so high in front of my shed… 11 June We have completed our ‘hardcopy marketing’ for Edna’s Diary. 130 free copies have gone out to stroke clubs, NHS speech and language therapy … Continue reading
Posted in Personal commentary
Tagged ADC Theatre, Anton Chekhov, aphasia, As You Like It, biographies, comments, copyright, cow parsley, Cymbeline, Edna's Diary, Hesperus Press, Lady Chatterley's Lover, marketing, Melanie Derbyshire, musicals, NHS, Sasha Regan, Shaftesbury Theatre, sheds, social media, Stroke Association UK, Sylvia Krystel
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BEING AWARE OF APHASIA
In the last week of National Aphasia Awareness Month, I am very pleased to post these two images sent to me by the Aphasia Alliance: P.S. Stroke Association UK’s income has dropped by half during the pandemic. The organisation has … Continue reading
National Aphasia Awareness Month: A message of hope
This is National Aphasia Awareness Month (NAAM), but the campaign is global. Aphasia is a disorder that impairs the expression and understanding of language, as well as reading and writing. It may be caused by head injury, a brain tumor, … Continue reading
Posted in Personal commentary
Tagged aphasia, Aphasia Awareness Month, AphasiaAwareness, body language, brain, carers, comments, communication, CommunicationAccess, Dutch, Edna's Diary, French, hope, intonation, NAAM, National Aphasia Association, National Aphasia Awareness Month, physiotherapy, Sam&Sam, speech and language therapy, Stroke, Stroke Association UK, stroke care, stroke clubs, strokes, the human brain, Wales, Welsh, wheelchairs
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Edna’s Diary: the background
Sometime in 2012 Harvey Pitcher asked me if I would give a talk the following March to Sheringham Stroke Group, of which he was Secretary. It was an attractive invitation, especially as there is a history of Stroke on my … Continue reading
Posted in Personal commentary
Tagged Amazon, aphasia, Aphasia Awareness Month, Clare Ungerson, Edna Miles, Edna's Diary, Erich Reisfeld, Fleur Taylor, frontispiece, Harvey Pitcher, hip operations, Sandwich, Sheringham Stroke Support Group, Stroke Association UK, stroke clubs, The Holocaust, The Kitchener Camp, The Third Reich, United States Holocaust Memorial Museum, Yours
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There!
To our astonishment, Amazon suddenly announced to the world that Edna’s Diary had been published on 6 May — which was before they had told us it had been accepted! So here it is, folks, fully available now in ‘real time’: … Continue reading
Posted in Personal commentary
Tagged Amazon, aphasia, Aphasia Awareness Month, book covers, cardiovascular disease, cerebrovascular disease, Edna Miles, Edna's Diary, independent publishing, publishers, Sam&Sam, self-publishing, speech and language therapy, Stroke, Stroke Association UK, strokes, Tippex
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Nearly there…
We have now signed off our fourth proof of Edna’s Diary from Amazon. Really, the last two proofs were necessary only to tweak the back cover. I think this is often the case: you can rapidly get the contents right, … Continue reading
Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
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Guest post by Laurence Brockliss: The Historian, Middle-Class Marriage, and ‘Women in Love’
I have always been puzzled by Tolstoy’s apodictic statement about happy and unhappy marriages at the beginning of Anna Karenina. How on earth did he know? Even today when the state and the media have penetrated deeply into our private … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnes Gladstone, Ancestry.com, Anna Karenina, Arnold Bennett, Bensons, Brighton, Clayhanger, Colin Firth, D.H. Lawrence, Edward Charles Wickham, Edward Talbot, Edward White Benson, F.R. Leavis, Frieda von Richthofen, George Eliot, Henryck Wieniawski, Isabella Wieniawska, Jane Austen, Janet Catherine North, Jennifer Ehle, John Addington Symonds, Lady Chatterley's Lover, Laurence Brockliss, Leo Tolstoy, Lev Tolstoi, Lucy Trotman, marriage, Middlemarch, novels, Oxford, Pride and Prejudice, prosopographical studies, Robert Cooper Lee Bevan, Samuel Fiennes, Simon Goldhill, social history, The English Novel, These Twain, Winchester, Women in Love
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
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‘Another culture’ (A series of seven posts)
Sam2, aka our son James Miles, worked in Japan as a teacher from 2011 to 2014 (his first job when he got back to England was to set up Calderonia!). My wife Alison visited Jim in Japan in 2013. Jim … Continue reading →