Basic form of the Calderon coat of arms
Patrick Miles in his summer house, 11 December 2016
Unpublished watercolour by George Calderon, Tahiti 1906
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Jean Ryckaert, May 1916.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Sir Richard Vincent Sutton c. 1913
George Calderon c.1901
Frontis piece by Frank Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
George Calderon, 1912
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Monarch Butterfly Madeira
Colonel Sir Walter Coote Hedley c. 1920
Captain of the 11
Christmas 1901 Cartoon by George Calderon
George and Kittie Calderon 1905Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: George Eliot
Guest post by Laurence Brockliss: The Historian, Middle-Class Marriage, and ‘Women in Love’
I have always been puzzled by Tolstoy’s apodictic statement about happy and unhappy marriages at the beginning of Anna Karenina. How on earth did he know? Even today when the state and the media have penetrated deeply into our private … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnes Gladstone, Ancestry.com, Anna Karenina, Arnold Bennett, Bensons, Brighton, Clayhanger, Colin Firth, D.H. Lawrence, Edward Charles Wickham, Edward Talbot, Edward White Benson, F.R. Leavis, Frieda von Richthofen, George Eliot, Henryck Wieniawski, Isabella Wieniawska, Jane Austen, Janet Catherine North, Jennifer Ehle, John Addington Symonds, Lady Chatterley's Lover, Laurence Brockliss, Leo Tolstoy, Lev Tolstoi, Lucy Trotman, marriage, Middlemarch, novels, Oxford, Pride and Prejudice, prosopographical studies, Robert Cooper Lee Bevan, Samuel Fiennes, Simon Goldhill, social history, The English Novel, These Twain, Winchester, Women in Love
6 Comments
Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
8 Comments
From the diary of a writer-publisher: 8
13 March Within seven hours of my last post going up, the organisers of the 2020 conference of the British Association of Slavonic and East European Studies (BASEES) emailed everyone to say they were calling it off. Only an hour … Continue reading
Posted in Personal commentary
Tagged Anton Chekhov, Archie Brown, BASEES, BASEES Conference, Black Crow, coronavirus, COVID-19, democracy, Edmund Burke, George Eliot, Marcel Proust, Matthew Paris, Middlemarch, Mikhail Gorbachev, newspapers, parliamentarianism, philosophy, quarantine, Rodric Braithwaite, Sam&Sam, self-isolation, Sergei Esenin, The Spectator, The Times
2 Comments
Guest post by Damian Grant: ‘Lady Chatterley’s Lover’ and ‘The Winter’s Tale’
This nineteenth-century engraving of Florizel and Perdita does indeed make them look — to use Lady Chatterley/Connie’s dismissive phrase about the Elizabethans — somewhat ‘upholstered’. In all the excitement — which has never quite subsided — about the sexual explicitness … Continue reading →