The entrance to Fort Brockhurst (picture from Britain’s Past)
Sir Richard Vincent Sutton c. 1913
Colonel Sir Walter Coote Hedley c. 1920
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George Calderon c.1901
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Frontis piece by Frank Calderon
Christmas 1901 Cartoon by George Calderon
Basic form of the Calderon coat of arms
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Jean Ryckaert, May 1916.
Captain of the 11
George and Kittie Calderon 1905
Unpublished watercolour by George Calderon, Tahiti 1906
Monarch Butterfly Madeira
George Calderon, 1912
Patrick Miles in his summer house, 11 December 2016
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: Clays Ltd
Publication!
All of a sudden things went right with Amazon, and we have received our first customer copy of What Can We Hope For? Dialogues about the Future. The book is ONLY available from Amazon, i.e. by print on demand. This … Continue reading
Posted in Personal commentary
Tagged Amazon, book formats, Clays Ltd, cosmology, James Miles, John Polkinghorne, Patrick Miles, printing, publishers, Sam&Sam, Sam1, theology, typesetting, What Can We Hope For?
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…and two back covers
By the time you read this, Sam&Sam’s new book should be available through Amazon. No, I can’t say that… The penny has finally dropped: having Amazon print your book is a complete, utter, irreparable and gut-wrenching break with the previous … Continue reading
A tale of two front covers
By the time you read this, Sam&Sam’s new book should be available through Amazon. I say ‘should’ because publishing a book through Amazon has been yet another fresh learning curve for us and sometimes we just had to wait to … Continue reading
From the diary of a writer-publisher: 3
14 May I gather, from a reliable source, that access to Calderonia has been blocked in Russia (I nearly said ‘the Soviet Union’). This would explain why no Russian viewers have featured in the stats for months. One can only … Continue reading
Posted in Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Akala, Amazon, biographies, biography, British Council, Calderonia, Clays Ltd, comments, cyber warfare, Earlham, Edward Lear, eschatology, Gallipoli, George Calderon, George Calderon: Edwardian Genius, haiku, James Tait Black Prize, Jenny Uglow, John Dewey, John Polkinghorne, Kittie Calderon, Leonid Brezhnev, Marie Colvin, paradise, Percy Lubbock, plastic, pollution, ravens, Russia, Sam&Sam, Sam2, self-publishing, Shetland, Simon Cooke, The Great War, Third Battle of Krithia, Vladimir Putin, wokefulness, World War I, Yell
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Guest post: Sam2 on… ‘How to Typeset a Book’ (Part 2)
“Pages… Pages EVERYWHERE!” ————— In the previous entry I went over some fundamentals of self typesetting. I want to point out that those techniques were merely what I had used myself…that is, how it appeared logical to me to do … Continue reading
Posted in Personal commentary
Tagged Adobe Acrobat Pro, Adobe InDesign, Ashitaka, biographies, biography, bottom justification, bugs, captions, Clays Ltd, comments, crop marks, Dante MT, fonts, formatting, George Calderon, George Calderon: Edwardian Genius, GIMP, glitches, hair leads, hair lines, image trials, images, indie publishing, inset images, Jiro Horikoshi, Johannes Gutenberg, LibreOffice, orphans, PDF files, Prince Ashitaka, Princess Mononoke, printers, publishers, publishing, resolution, Sam&Sam, Sam1, Sam2, self-publishing, software, spacing, Studio Ghibli, The Wind Rises, tilting, trim marks, typefaces, typesetting, typesetting a book, typesetting styles, widows
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The Announcement
We have now received the book in Cambridge — and we think Clays Ltd have done a superb job! Any flaws you notice will be of the author’s making; Clays have printed to the last foreign font and idiosyncrasy … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged ABE, Amazon, Andrew Tatham, biographies, biography, Cambridge, Clays Ltd, comments, Dardanelles, Gallipoli, George Calderon, George Calderon: Edwardian Genius, Georgina Aldridge, Harvey Pitcher, Jodi Foulgar, John Dewey, Kindle, Kittie Calderon, limited edition, Martin Shaw, Nielsen Corporation, Oxford, publishers, Sam&Sam, St Andrews, The Great War, Third Battle of Krithia, World War I, Ypres
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pre-Announcement announcement
Sam&Sam have embraced Ian Strathcarron’s kind advice to allow three months for marketing my book. The official date of publication, therefore, is 7 September. Shortly before that, a separate web-page and checkout will be available for buying the book online. … Continue reading
So a second edition, then…
It would have been almost too dull if there had been no dramas with Clays the printers in the final run-up to production last week, but I must admit I wasn’t expecting basic technical questions to erupt concerning the jacket … Continue reading
What I have learned about today’s books
After, in effect, four sets of proofs since March, we uploaded the complete PDF file of the book to the printers (Clays of St Ives) three days ago, five days before the deadline. There will be no celebrating, however, until … Continue reading
Posted in Modern parallels, Personal commentary
Tagged biographies, biography, Boris Johnson, Chatto & Windus, Clays Ltd, comments, Faber & Faber, geometric centre, George Calderon, hair leads, HarperCollins, Hodder & Stoughton, Index, Jonathan Cape, layout, nightmares, Oliver Simon, optical centre, orphans, printing, publishers, The Dedication, typography, widows
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Some notes on orthodoxy
A very happy New Year to all Calderonia’s subscribers, followers, and casual viewers! (If you are one of the latter, please consider subscribing top right.) This is ‘the year’… Following an almost complete absence of response to my last reminders … Continue reading
Posted in Personal commentary
Tagged Animal Farm, biographies, Brimstone Press, Charles Dickens, Clays Ltd, comments, design of boats, George Calderon, George Orwell, Jane Austen, Jenny Uglow, John Dewey, John Polkinghorne, orthodoxy, publishers, publishing, Ruth Scurr, Sam&Sam, Victoria Beckham, William Shakespeare
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The Edwardian Re-turn
I hope you will forgive my pun on the title of one of the seminal works about the Edwaaaardian (as they pronounced it) era, Samuel Hynes’s The Edwardian Turn of Mind. A hundred and seven years ago today, at just after … Continue reading →