12 May 1915

It is not 100% clear when Kittie returned to the B&B at Brockhurst that she and George had stayed in on the weekend of 8-9th before leaving for Devonport on Monday 10th, but the implication of something George says in his letter to her of 16 May is that she was staying on in the hotel at Devonport until she had seen the Orsova leave with George on it.

The Orsova lay offshore at its buoy all through today. The weather seems to have been cloudy in the morning, sunny in the afternoon.

Was she alone, or with other wives?

Next entry: 13 May 1915

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11 May 1915

The troop ship Orsova was now lying at its buoy offshore at Devonport. George imagined Kittie ‘following our adventures with a telescope from the Hotel’.

Next entry: 12 May 1915

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Transfiguration and parting

Today, 10 May 1915, which was a Monday, George and Kittie set out on the 140-mile journey by train from Gosport to the naval base of Devonport, where he was to embark for an unknown destination. Five other officers from the 9th Ox and Bucks had been called up for this mission, so perhaps they all travelled together, with their wives.

He was full of thoughtful lovingness.

Yet a strange feeling hung over everything; not of foreboding, but as though there were millions of miles of distance — distance that was bridged, but yet there.

But it was not bridged in ordinary ways — somehow the warm clasp of his hand as he sat by me in the train speeding down to Devonport didn’t seem to have anything to do with being near him.

If he came and stood by me now might it not be the same? And one would say of course it is so, for he is no longer on this material plane.

And where does this all bring me? And why do I say it?

Because I think that by the time George went to Gallipoli, his whole being had become one pure flame of Idealism and Clear Seeing. Every particle of everything else had fallen away, had been burnt up in that flame. All his life he had spent in fighting shams [mock battles] in searching for the real, for the true. He had found it at last.

Although this was not set down until 1919, I think we can trust Kittie’s memory here.

The George Calderon she had known — wit, lover, Russianist, journalist, scholar, dramatist, adventurer, anthropologist, activist, entertainer — was once again becoming ‘someone different’, this time a person living ‘on another plane’. His transfiguration (Owen’s ‘Weep, you may weep, for you may touch them not’) had begun.

Or was he in the grip of a form of psychosis?

*                    *                    *

The party probably arrived at Devonport in the early afternoon. George and Kittie found a hotel, then George joined the others in barracks. Late in the afternoon, before the officers of the 9th Ox and Bucks and a draft of other soldiers left for the docks, George and Kittie were able to say goodbye at the barracks. We know from George’s letter of 16 May that an officer whispered in Kittie’s ear the name of the ship George was to sail in — the enormous Royal Mail Steamer Orsova. Probably, with other wives, she went down to the docks to catch a glimpse of him embarking or on deck.

*                    *                    *

At 11.00 p.m. this evening George wrote Kittie a three-page letter from the Orsova (this is the letter with ‘appling’, see my post of 22 January, about which I will report at a future date). As always on a voyage, he was exhilarated. He described the embarkation, the ship, the ‘delicate food’, with relish, and continued:

Poor dear old Keety — don’t trouble over me; I’m off on a new and unknown adventure, but it either ends ill or very well, and no thought can alter it — so rejoice in the colour and vigour of the thing — and drink deep with jolly friends while it’s doing — with Catta [Catherine Lubbock] and Violet [Pym] and other Rabelaisians. Your wishes for good, will work all the better when two or three of you are gathered together.

[…]

Good night and goodbye, dear Keety; your loving old spouse

P. [Peety]

The Orsova had just cast off and was moving to its buoy. George addressed his letter to Kittie at Mrs Seymour’s in Brockhurst, and it left Devonport at 2.00 p.m. tomorrow.

He probably spells her name ‘Keety’ in imitation of the Russian pronunciation, e.g. of Kitty Levina in Anna Karenina.

Next entry: 11 May 1915

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Hypothesis, or conspiracy theory?

Whilst writing Crime and Punishment Dostoevsky reminded himself in his notebook that he must ‘establish why Raskol’nikov killed the old woman’; although he had already suggested several reasons in the novel.

The question ‘why George Calderon insisted on signing up at the age of 45 and getting himself killed’ similarly bugs me, despite the fact that I have put forward a few reasons already. For instance, George is not known to have used the phrase ‘For King and Country’, but given his views on liberty, pluralism, social responsibility and the rule of law it seems obvious that he must at least have been fighting for the ‘British way of life’. Indeed, his father said that the Calderon family felt themselves utterly ‘English’, so it is quite possible to imagine George picking up a handful of earth and saying with Edward Thomas that he was fighting ‘literally, for this’. He simply felt he must defend his country.

Yet at a dinner party before the war, Laurence Binyon writes, George had ‘somewhat startled the company by maintaining that England never fought a war except for an idea’. Assuming Calderon still believed this, what this time was the ‘idea’? He did not hate Germans — he had a number of close colleagues in the history of religions who were German — but there is plenty of evidence in his letters that he hated the brutality of Prussian militarism and the amorality of the Hohenzollern system.  Was he fighting, then, for decency, constitutional monarchy and liberal democracy? Certainly. And his awakened interest in his Spanish ancestors (see my posts of 18 October and 11 November 2014) even suggests that he saw himself as a Crusader for civilised values, although nowhere near as much as his friends saw him that way after the War.

More likely, I think, is that he believed he was fighting for an idea of the future. Not long after the party of 7 May, George wrote a letter to Leonora Bagg (see my post for that day). The letter is lost, but Bagg gave her own account of it:

The impression which I received […] was of one who felt and fully understood the vast impact of the world conflict in which he was giving his all, of one who had penetrated far below and beyond the material horror of the battles and felt the present phase of the conflict was a preface to a greater cataclysm to come which would transform the world. […] He felt that the vast majority had, comparatively speaking, the understanding of children of the conflict which was shaking the world to its foundations.

This sounds plausible, if one recalls the millenarianism of George’s views expressed in 1912 in the Cambridge Magazine and elsewhere. Surprisingly, perhaps, for a conservative thinker, George had looked forward then to a more classless society, more equal incomes, and an end to Edwardian ‘luxury’. Quite possibly he saw the present cataclysm as leading to a ‘New Age’ of that kind, with a more egalitarian and democratic European Order.

But one cannot deny (Kittie did not) that George was also seeking ‘Adventure’ in the War. ‘Adventure’ was the Edwardian male’s drug. It is a concept difficult for us to get our head round, because it seems to contain far more unassessed risk than we accept in ‘adventure’ today. With ‘Adventure’ went a bravery that sometimes seemed brainless. Certainly Calderon was fearless, but at Ypres he had also behaved foolhardily, irresponsibly. His determination to go where the fighting was fiercest is reminiscent of Peter Pan’s belief that ‘dying will be an awfully big adventure’. It seems almost a death wish.

‘Almost’. But what if it was not a form of parasuicide but a real desire for an ‘assisted’ suicide that would not look like suicide?

The reason George might do this was if he knew himself to be terminally ill. His close friend the dramatist St John Hankin had committed suicide in 1909 because he feared he had an hereditary disease of the nervous system, he did not want to become an invalid for decades like his father, and he felt he could not inflict his care on his own wife. In my view it is perfectly possible that George felt the same about Kittie. She had nursed her first husband for two years and after that George had witnessed her nursing her mother over years of decline. Perhaps he could not contemplate putting her through it again. Perhaps his own pride could not contemplate it. Moreover, his attitude to death itself was secular, Stoical, factual. In a condolence letter to Rothenstein on the latter’s father’s death, he used the word ‘euthanasia’ positively.

I do not like George’s ‘habitus’ on the group photograph in my post of 10 April. He looks drawn, uncharacteristically angular, humourless and grey. The only chronic illnesses we know he had suffered from in the past were gout (if it was that) and depression. Neither of them is mentioned by Kittie in her memoirs covering 1915. We know that what was at first diagnosed in Flanders in 1914 as gout was more expertly diagnosed later as inflammation of the prostate caused by days in the saddle. However, the description of George’s prostate that he was given by Surgeon-Major Pares after examination (see post of 28 October 2014) could well imply he had something more serious.

So was George aware something was not right with him, had seen a specialist at the beginning of 1915, say, and been told he was suffering from an untreatable cancerous process of the prostate? He was, of course, a man of great self-will, and he always felt he had the right to be secretive. Did he conclude that the way to ‘go’ was not years of invalidism, or active suicide, but by ‘suicide in battle’? It is a thinkable hypothesis, at least. It might explain why he was determined to go to the front line, rather than work in Intelligence, where, after reading George Aston’s Secret Service (1930), I believe with Coote Hedley he could have been very useful indeed.

The idea of a militarily delivered ‘suicide’ is an hypothesis that one can adduce several arguments to support (‘verify’), but none to definitively refute (‘falsify’), since even detailed medical records of the time (e.g. from Dr Tebb) could have missed the aggressive prostate cancer that only George’s private specialist might have diagnosed.

One of Chekhov’s favourite sayings, taken from his time as a medical student, was ‘if there are many remedies offered for a disease, it is probably incurable’. When questions like Dostoevsky’s about Raskol’nikov or mine about George suggest so many different answers, perhaps they are insoluble. They relate to acts; and the terms (contexts) in which one can see (interpret) acts may change through all futurity.

Next entry: Transfiguration and parting

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8 May 1915

Today Kittie accompanied George to Brockhurst, where they stayed two days, probably at a B&B called Warwick House run by a Mrs Seymour. On the train journey, it is highly probable that George bought The Times and read a sensational letter in it from his old college friend Michael Furse.

Furse (1870-1955) was now Bishop of Pretoria. He had just been visiting a South African infantry brigade on the Western Front, where he had witnessed the effects of the Germans’ gas attacks. He described what he had seen in the strongest possible terms, concluding:

There is only one way to counter this sort of devilry and avenge the lives of the men who have thus been murdered, and that is for the Empire to concentrate its whole energies to supply every man and every legitimate munition of war that is necessary to smash this enemy, and that, too, right away, without one week’s unnecessary delay.

Furse’s mission, spelt out in two more letters to The Times this month, was to galvanise Asquith’s government into addressing the Empire’s munitions crisis (the dire consequences of which he had seen in France) and ‘mobilising the nation’ for the war effort by introducing National Service. Lloyd George followed up Furse’s allegations of an official cover-up about the munitions crisis and took his advice to tour the country telling people ‘the truth, the whole truth, and nothing but the truth about the lack of adequate weapons’. Within a month Lloyd George had become Minister of Munitions.

Michael Furse in 1903

Revd Michael Furse, 1903. By courtesy of the President and Fellows of Trinity College, Oxford

George Calderon had shared Michael Furse’s interest in amateur dramatics at Oxford, but was wary of his muscular Christianity and ‘parsonic mind’ as George called it. After the death in 1898 of their mutual friend Archie Ripley, Kittie’s first husband, Furse offered her counselling. Kittie intimated to George that she felt Furse was making a pass at her and abusing her trust. George doubted this, and made a secret one-day visit to Oxford (where Furse was then Chaplain of Trinity) to ask Furse the truth. Reassured, George himself continued to court Kittie. They were married by Furse at St James’s, Piccadilly, in 1900.

Whatever George’s views of Michael Furse as a ‘parson’, it seems highly likely that he approved of Furse’s letter in today’s Times.

Kittie was now with George for three days and two nights before he embarked. She became secretly worried:

He was full of zest, playing tennis, making final preparations. But I was anxious about him physically, in spite of his energy, in spite of that extraordinary look of youth. If for a moment at rest in our lodgings he would fall asleep in his chair, when night came he would literally fall into bed and sleep what looked like a sleep of sheer exhaustion. This was difficult to combine with his unflagging and evidently spontaneous energy in all directions. It frightened me, but there was no use saying anything, [for] he had passed the medical test for Active Service. I tried to persuade myself that this sleepiness was nature’s way of recuperating herself, yet in spite of my efforts the conviction remained, and still remains, that his strength of purpose was such that he simply hypnotised the Medical Officer into believing him fit.

I will try to put this in context tomorrow.

Next entry: Hypothesis, or conspiracy theory?

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7 May 1915: Farewell to friends

A telegram arrived at tea-time on the Friday [7 May 1915] saying he would be home that evening for one night’s leave only to return next day to Fort Brockhurst to await immediate orders to go on active service.

His Mother, sister, brother and some other friends who had been coming the next night were hastily telephoned for to come that night — some for dinner and a good many after. Dinner was practically over when he arrived.

I heard his knock and went out to let him in. I think even then in that first minute I felt there was something different about him.

He was extraordinarily himself except that he looked years and years younger. His smile was radiant but something, some part of him had gone.

This may seem fanciful and ridiculous, but it is neither fancy nor is it ridiculous. Months afterwards a friend here that evening — a most unfanciful friend — told me and has since written to me what she felt. She told her daughter as she drove home that night. She too clearly was aware of the same thing about him.

He himself was unconscious, no I don’t believe entirely unconscious, of the difference.

Was it that he, in some deep subconscious way, knew that he was never going to return — that the final sacrifice that to us seems to have been offered on June the 4th in Gallipoli for him was already over? Who can tell — no word of it passed his lips.

This an excerpt from the end of Kittie Calderon’s memoirs. George’s ‘Mother’ is of course Clara Calderon (1836-1921). The ‘sister’ is Marge Calderon, the ‘brother’ most likely Frank. It is not known who of George and Kittie’s friends were present, but they may have included Percy Lubbock, the writer William Caine, and the sculptor Emanuele Ordoño de Rosales.

The friend referred to in the third paragraph from the end above is Kittie’s friend Leonora Bagg, who I believe to be an American feminist and ‘progressive thinker’. I shall quote from her memoir about George on 9 May. The daughter mentioned is almost certainly Louise Bagg, Kittie’s long-standing friend from art school, married to Rosales.

We do not know what the conversation was about round the dinner-table. Those present presumably knew, however, about the sinking of the Lusitania off Ireland that afternoon, with the loss of over a thousand passengers and crew. This act, together with the Germans’ use of poison gas on the Western Front, stoked hatred of the enemy to a new pitch.

Altogether, one cannot help feeling that everyone present on this never-to-be-forgotten occasion admired George’s courage boundlessly, but none of them wanted him to go.

Next entry: 8 May 1915

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6-8 May 1915: The Second Battle of Krithia

By yesterday, the 29th Indian Brigade and some of the 42nd Division had arrived from Egypt as reinforcements and the stable situation at Anzac Cove made it possible for 6000 men to be transferred to Helles. Hamilton therefore felt strong enough to make another attempt to capture Achi Baba. After a completely inadequate bombardment (British munitions were by now severely depleted), the Second Battle of Krithia was launched this morning with inauspicious delays.

Unfortunately, the plan was the same as on 28 April and not much more effective. The French had their usual problems advancing on Kereves Dere (Gully) in the east, after which the ‘pivoting’ of the British 29th Division around the French to take Krithia and Yazy Tepe was bound to be complicated. The advance of the 88th Brigade along Fir Tree Spur was soon checked by well-concealed machine-gun posts and the 125th Brigade on the extreme left at Gully Spur also made little progress today.

The map vividly demonstrates the collapse of the whole initiative:

Second Battle of Krithia

Figure from the official history, Crown Copyright 1928. (Click on the map to enlarge.)

The ‘1st Objective’, i.e. for today, was a line one mile nearer to Krithia. In fact, as a result of exhaustion, poor communications, low munitions, difficulty in locating the enemy, chaotic attacks, enfilading and front-on slaughter, after three days the Allies had advanced just over a third of a mile. In the course of the Second Battle of Krithia the Allies lost about 6500 men, the Anzacs and Royal Naval Division suffering particularly badly.

By now at Gallipoli the expeditionary force had sustained total casualties of over 20,000 — approximately 30 per cent of its entire capacity. Yet the two bridgeheads ‘scarcely covered five square miles between them’ (Alan Moorehead).

One cannot deny that Hamilton fully appreciated his predicament. The operation had been a ‘failure’, he wired Kitchener, and ‘more and more munitions’ would be needed to destroy the fortifications and machine-gun posts ranged against his troops.

If you could only spare me two fresh divisions organized as a corps, I could push on with great hopes of success both from Cape Helles and Gaba Tepe; otherwise I am afraid we shall degenerate into trench warfare with its resultant slowness.

The last statement was all too prophetic.

Next entry: 7 May 1915: Farewell to friends

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Ruth Scurr’s exhilarating experiment

In my post of 6 March I discussed an essay by Ruth Scurr about biography that had just appeared in the Guardian Review. Her essay stirred up a whole hive of issues that the modern biographer should be aware of and needs to address. I found it deeply stimulating. Its promise has now been fulfilled by Scurr’s blockbuster John Aubrey: My Own Life, which I defy anyone not to be enthralled by.

Biographers like myself need to read everything that is coming out in the genre, in order to keep their ideas about their own work fresh and fermenting. I suppose the last very long biography I read was Steven Naifeh’s and Gregory White Smith’s Van Gogh: The Life (2011). It was revelatory in every sense and the amount of detail it marshalled imparted an ‘experience’ of Van Gogh’s life that was not less than visceral. The authors also discoursed on the wider contexts of Van Gogh’s life and painting, which gave their book multiple perspectives and depths. But the biography was traditional in the sense of being linear and told in the third person — except, of course, for quoted diaries and letters.

John Aubrey: My Own Life is a diary, but ‘constructed’ (her word) by Scurr herself from fragments long and short of Aubrey’s own voluminous writings, arranged chronologically. It is told in the first person. Formally, then, it is an autobiography. Yet, of course, one feels as one reads it that one is reading a biography, because one ‘knows’ that a third person is constantly at work here: Ruth Scurr herself, the author of last resort who may be invisible in the text but is alone responsible for the selection and ordering of the ‘I’-story. In a traditional biography, of course, the outside other is always there, telling, contextualising, evaluating, but in John Aubrey: My Own Life the outside other seems invisible.

This is what makes it so innovative and fascinating as an experiment in biography. Ruth Scurr has partly answered the question I posed in my March post — how do we know these are all Aubrey’s words? — by explaining in her introduction (p. 12-13) that she has used ‘as many as possible of his own words’ and by meticulously sourcing each cento in her endnotes. I found myself wondering whether the schoolmaster’s ‘cane’ and such words as ‘gravity’, ‘microscope’, ‘atomic theory’ and ‘romantic’ were anachronisms introduced by Scurr; but she even explains in an endnote that Aubrey was one of the first to use ‘romantic’, so I am reassured. If it transpired that Scurr had a major subjective input into Aubrey’s ‘diary’, it would, I fear, undermine the book’s sense of objectivity as a biography. It would approximate it too much to fiction.

The idea that the book is Aubrey’s and Scurr’s simultaneously is wonderfully intriguing; it adds a frisson to reading (and the story of Aubrey’s life is moving enough as it is). But the sense of dual creation is far from unknown in literature. Shakespeare’s history plays are creations by Shakespeare and Holinshed at once. A modern stage version of Three Sisters, for instance, mysteriously contains at least the voices of Chekhov and his translator. Whilst Pasternak was writing Doctor Zhivago, he wrote to a friend: ‘when I write poems at the moment, I always write them into this person’s notebook, Yurii Zhivago’s’ (i.e. they became Zhivago’s poems and formed the last chapter of the novel). These ‘second’ authors — Holinshed, a translator, Pasternak, Scurr — are textual Cheshire Cats.

Another beguiling feature of Scurr’s book is her repeated statement that she wants to create a ‘portrait’ of Aubrey. I don’t myself associate this word with biography, as a ‘portrait’ seems to me to be static (synchronic), whereas a biography has to move through time, the lived life of its subject (diachronic). However, Scurr has brought this off, too: the book is chronologically linear, i.e. moves, but definitely produces a portrait of Aubrey, i.e. stands. Aubrey is alive all the time on its pages, simply because he is the ‘I’ telling his life. Yet it is Scurr who enables him to tell this life — his own life. She concludes her Introduction with the words: ‘Ultimately, my aim has been to write a book in which he is still alive’, and she has succeeded. The very real risk of this book has paid off.

Even so, I find the questions that Scurr raises about modern biography almost as stirring and mind-focussing as her book. ‘How and why do we tell the stories of earlier lives?’ she asks. ‘What is the nature of the relationship between biographers and their subjects?’ ‘Do we honour or betray the dead when we write about them?’ She has obviously meditated long on such questions and has rich, sometimes anguished experience of ‘finding a narrative form that fits the life (or lives) in question’, as she expressed it in her essay. I hope that one day she will give us the benefit of her answers to such questions.

Reading John Aubrey: My Life and Ruth Scurr’s thoughts about biography has made me speculate about the Calderon project in a number of new directions, for which I am extremely beholden to her. Perhaps, for instance, the real theme of George Calderon: Edwardian Genius is the utterly unfashionable notion of Edwardian genius, which I think I have made a contribution to understanding. The unique nature of Edwardian genius certainly fascinates me as much as George Calderon himself. I deeply feel it has something valuable to say to us today. Perhaps a more innovative form of biography, then, would reverse the terms of the title to Edwardian Genius: The Case of George Calderon?

Also, the technique that Ruth Scurr found for her biography — pieces of text (centones), a discontinuous narrative (parataxis), real time, verticality opposed to horizontality — reminds me so much of what I have discovered since starting this blog, that I am now inclined to see the blog as a modest twenty-first century form of biography in itself…

Next entry: 6-8 May 1915: The Second Battle of Krithia

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4 May 1915

On this day (a Tuesday) at Fort Brockhurst George received the following letter from Kittie’s lifelong friend Nina Astley, née Stewart, Nina Corbet by her first marriage:

The Cottage at the Crossways

Hoe Benham

Newbury

                                                 May 2 1915

My dear George,

          From my heart I thank you for your dear letter.

          Yes it is splendid and I thank God every minute — it was instantaneous, so that he could not regret — even for a moment all he was leaving behind him.

          For him — one can have no regrets — he is merely gone to a fuller life.

           But for the poor girl who was to have married him — it’s terrible. At that age — it’s so hard to keep one’s faith in anything — when your whole world has crumbled to ashes — in one moment.

          She is so plucky — so worthy of Jim — but every day her little face gets whiter and smaller.

          Dear George — always you have had a very warm corner in my heart — But more than ever now I feel I may say Your friend

                                                                Nina

Forgive me if I address you wrong.

The letter is Nina’s reply to George’s of 18/19 April (see my posts of 15, 17 and 20 April) and had been forwarded by Kittie from Hampstead. Obviously he was not able to attend a service for Jim Corbet at Moreton Corbet (see my post of 30 April), but the latter may explain why Nina had not responded to him before 2 May.

It was almost certainly the last letter Nina wrote him. She had been through so much herself, and was fantastically knowledgeable about the human heart. She doubtless realised she might not see George again for a long time, if ever, hence the emotion of her last paragraph. Since courting Kittie in 1899, he had been deeply challenged by her intimate relationship with Nina, but had always been respectful of it and given them their space.

In fact Nina played a vital part in bringing George and Kittie together. Shortly after the death of Kittie’s first husband, Archie Ripley, on 23 October 1898, she wrote to him from Kittie’s home, 17 Golden Square, Piccadilly: ‘Dear Mr Calderon, I know Kittie wants to see you this morning. Come if you can. She does not know that I am asking you. I am Kittie’s friend, Nina Corbet.’ Although George had played a part in Archie’s care in his final illness, until Nina’s letter he had been careful not to thrust himself forward.

The reason Nina apologises in the above letter for addressing George wrongly is that on the envelope she has not given his military rank (lieutenant).

Next entry: Ruth Scurr’s exhilarating experiment

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3 May 1915

By now Sir Ian Hamilton had lost over a quarter of his fighting force at Helles and desperately needed reinforcements. Churchill, Fisher and Kitchener, acting on the British and French admirals’ telegrams, anticipated Hamilton in his request and troops were already on their way from Alexandria and Marseilles.

Part of this package, perhaps, was that some officers from the 9th Battalion Oxfordshire and Buckinghamshire Light Infantry, stationed at Fort Brockhurst, were called up for active service. I have no further facts than are recorded by Percy Lubbock in 1921:

Early in May, 1915, […] George Calderon received his orders. He was to be sent to the East, as an unattached officer, it might be to the Dardanelles, it might be to Palestine or the Persian Gulf.

As I have discussed already (see post of 22 April), given George’s age and family circumstances he probably did not have to ‘volunteer’ for this and in any case afterwards his superior officers wished they had prevented him from going. But he assented.

Next entry: 4 May 1915

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Another eminent Calderon

I picked up The Second I Saw You: The True Love Story of Rupert Brooke and Phyllis Gardner at Waterstones recently and, as I always do with newly published Edwardiana, went straight to the index to see if ‘Calderon’ featured in it. Horrors, there were five references! What had I overlooked in my research? Letters from Calderon to Brooke? A whole story about joint attempts to get Lithuania staged in Britain? Advice from George to Rupert about Tahitian women?

At this stage in completing my biography, I must say I was relieved to discover on closer inspection that the references were to…William Francis Calderon.

Frank Calderon, born 1865, was George’s fourth elder brother and the one he saw most of in London (see my posts of 16 and 27 September 2014). He was a chip off his father Royal Academician P.H. Calderon’s block, except that he specialised in animal painting. He was a seminal force in a British school of animal painting, and his book Animal Painting and Anatomy (1936) is still highly respected and in print.

The reason he features in Lorna Beckett’s new book about Brooke is that the twenty-one-year-old Phyllis Gardner was attending the Slade School of Art and Frank Calderon’s School of Animal Painting in Baker Street when she first met Rupert Brooke. There are no references to George in it, but it is very interesting as a biography of Brooke and Gardner spanning the years 1911-15. I have bought it and intend to discuss it in July.

There are no letters from Frank Calderon in George or Kittie’s archive. Amazingly, there is also no photograph of him, when the rest of Clara Calderon’s family (apart from Henry) are pretty well illustrated. The only photograph I have ever seen of Frank Calderon is at http://en.wikipedia.org/wiki/William_Frank_Calderon and it looks to me as though it could actually be of his father.

However, there is an early example of Frank Calderon’s work in the remnants of George’s library, and that is the book The Most Delectable History of Reynard the Fox, edited with Introduction and Notes by Joseph Jacobs (Macmillan, 1895), which was designed and illustrated by him:

Cover by Frank Calderon

Cover

Frontis piece by Frank Calderon

Frontispiece

Reynard the Fox inscription by Clara Calderon

Inscription by Clara Calderon

This is certainly a beautiful book, and P.H. Calderon was very proud of his son’s work. As we see from the last image above, it was given to George as a present from his mother at Christmas, 1895. There may seem nothing remarkable about that, but George was in Russia at the time and when it arrived he had to spend a day languishing at St Petersburg’s Custom House before they would yield it up (see his account in Pall Mall Gazette 20 February 1896). So this particular copy has been to Russia and back!

Frank and Ethel Calderon (née Armstead) were the parents of Philip Hugh Calderon (b. 1893) and Joan Calderon (b. 1896), who as children performed in the famous Christmas pantomimes that George got up at Heathland Lodge. As a young sea cadet, Philip saw George off at Tilbury for Tahiti in April 1906, in the company of his father and William Rothenstein. Philip was the father of the French wildlife film-maker Gérald Calderon (1926-2014), whose biography has recently appeared on Wikipedia.

Next entry: 3 May 1915

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The Turkish counter-attack

If the events at Helles on 28 April amount to the First Battle of Krithia, those of 1-4 May deserve to be called the Second. Liman von Sanders’s forces were now overwhelming. He was peremptorily ordered by his War Minister, Enver Pasha, to ‘drive the invaders into the sea’. On the night of 1 May Turkish troops armed only with bayonets crept up to the British trenches across the whole Helles front, attacked, and were mown down in their hundreds. A ferocious assault was mounted on the particularly difficult position of the French north of Morto Bay, which nearly collapsed in the hand-to-hand fighting. However, in daylight on 2 May the Royal Navy were able to halt the Turkish attack here with shells and shrapnel from offshore, and the French retook the ground they had lost. Heavy fire was exchanged all along the line again that night. On the night of 3 May another attack was launched on the French sector, eventually beaten off, and ‘at daybreak the retreating Turks, caught in the open by the French 75 mm’s, were literally blown to pieces’ (Official History). Turkish losses between 1 and 4 May were extreme. Hamilton and Hunter-Weston now prepared to launch their own Second Battle of Krithia.

I think I am pretty familiar with World War I poetry in several languages, but I’m not aware of any written at or about Gallipoli. Is this significant? Can anyone put me wise?

Next entry: Another eminent Calderon

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Kittie’s story

As I have said before, none of George and Kittie’s letters to each other written whilst he was at Fort Brockhurst has survived (there is an envelope addressed to her by George and postmarked Gosport 3 May, but no letter inside it). In fact no letters written by her are known from the middle of April till the middle of June 1915.

This makes it difficult to picture what Kittie was doing at this time, and one would like to.

The Belgian refugees Jean Ryckaert and Raymond Dereume were still living with the Calderons at 42 Well Walk, and we know from George’s letter to William Rothenstein of 1 January (see post) that this was quite a strain for her.

Although she had not been able to go straight to her friend Nina Astley (Corbet) after she received news on 17 April of Jim Corbet’s death on 15th, it is possible that she attended a service for him at St Bartholomew’s Church, Moreton Corbet, about now. Moreton Corbet is the ancient seat of the Corbet family (http://en.wikipedia.org/wiki/Moreton_Corbet) and St Bartholomew’s contains many superb monuments to them, including a plaque commemorating Jim (Sir Roland James Corbet). Jim’s elder brother Vincent, and their father Sir Walter Orlando Corbet, are buried in the churchyard and Kittie had attended both of their funerals.

As we know from various third persons, Kittie was constantly fighting off (unnamed) illness at this time. It must have debilitated her. One wonders whether, on top of managing the large house, refugees, and her numerous friends and George’s relations who were worried for them both, she was able to work very often as a V.A.D. nurse.

The deadly underlying stress for her was, of course, knowing that now George was in a Reserve Battalion he could be sent to a front at any time. The first news of the Gallipoli landings had hit the British newspapers on 27 April, but very little still was divulged about them. It probably did not occur to Kittie, or even George, that he might be sent there; but what was happening at Ypres now was bad enough. Kittie’s friends had tried diplomatically to steer George away from active service abroad. Her own attempts may well have ended in tears. But recall what she said in her memoirs about her ‘suggestions’ to George for work on the home front: ‘They were worth Nothing.’

Next entry: The Turkish counter-attack

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The biographer discombobulated

I am greatly entertained by Mistress Ruth Scurr’s new book John Aubrey: My Own Life. It contains 433 pages. My honoured friend Mr William Harvey warns me that I shall acquire an impostumation if I sit reading it much longer.

I am surprised that so much of it is already familiar to me. But I am completely possessed by the man and his English style. I fear I shall develop his stammer.

.     .     .

I proposed to Mr Hooke that the Royal Society might investigate how it is that printed writing can be both a man’s (Mr Aubrey’s) and a woman’s (Mistress Scurr’s) at the same time. He refused, saying, ‘No two bodies can occupy the same space!’  He has lent me thirty-five shillings in the past month, and now this fart.

.     .     .

Today at Joe’s coffee house Sir Blewbottle Harston told me that he doubted I would be able to “blogg” about Mistress Scurr’s book with my customary tediousness until I had stopped thinking, speaking and writing like it. I agreed with my good friend. I believe I shall need a week to recover my equipoise.

Next entry: Kittie’s story

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28 April 1915: The First Battle of Krithia

Yesterday a general advance began at Helles, occupying the ground vacated by Turkish forces the day before. The Allied line now extended from coast to coast about two miles up from the tip of the Cape. Simultaneously, Turkish reserves streamed southwards to reinforce their line and dig in.

Today the commander of the 29th Division, Major General Aylmer Hunter-Weston, launched an over-sophisticated attack designed to take the village of Krithia, about two miles away, and Yazy Tepe (Hill 472) to its north, as the prelude to engulfing Achi Baba from the west and south on another day.

The battle began at 8.00 a.m. Many units had not received their orders in time to be fully prepared to attack. ‘An extreme fatigue had now overtaken the soldiers’ (Alan Moorehead). The French, in the most exposed position on the right of the line, were counter-attacked by fresh Turkish forces and had to fall back over ground captured in the morning. The 88th Brigade to their left had to follow suit or be outflanked. On the extreme left, the 87th Brigade were halted in Gully Ravine by machine gun fire near Y Beach.

At the end of a day in which the British line had been repeatedly breached, very little advance had been made anywhere and the Allies had sustained 3000 casualties. The Turkish defenders had lost about 2400 men.

Next entry: The biographer discombobulated

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George Calderon’s ‘magnum opus’

27 April 1915 was a Tuesday, so George was presumably back at Fort Brockhurst, having returned from weekend leave yesterday.

The only other literary work that he may have tinkered with when he was home at weekends was a book about Slavonic paganism and folklore which he had been researching and writing since he was in Russia in 1896.

In George Calderon: A Sketch from Memory, Percy Lubbock devotes several invaluable pages to this work. They are invaluable for the facts that they contain, but I profoundly disagree with his conclusions about the work.

Percy describes how the book ‘grew and spread’ after George returned to Britain in 1897 and continued researching the subject at the British Museum, he says that it did not ‘grow beyond his control’, but he strongly implies that George fell prey to what I would call ‘magnum opus syndrome’, i.e. the impulse to continue indefinitely. Percy regrets that this essentially anthropological work diverted George from ‘creative’ writing:

I confess that when I turn over the stacks of papers which represent the labour he bestowed on six thousand years of Indo-Europeans; sheets of references, extracts, finished pieces, lists of strange words, philological roots, liturgical forms, primordial symbols; all his multifarious matter assorted and arranged as on the day when he last touched it, immediately ready for his hand whenever he should decide to take it  up again: I confess I could wish he had happened to overlook that very astonishing Bulgarian folk-lore. His imagination might have been creating and producing all that time nearer home […]; his life, with its perpetual assimilation of the life around him, might have been recorded in substance and form.

But with his own strictly aesthetic focus, Lubbock was unlikely to find George’s scholarly activity sympathetic; nor do I believe he made any effort to read what George had actually published on folklore and religion and understand where this ‘magnum opus’ was going.

Demon Feasts, as it was originally called, was not just a congeries of notes and references. Percy himself says that parts of it were ‘finished’ and that ‘on the eve of the war’ George was close to putting ‘the leading ideas it embodied […] into final shape’. George’s reviews of anthropological works in the TLS, some letters, and his 1913 article in the Classical Review, ‘Slavonic Elements in Greek Religion’, give us, I believe, a very good idea of the book’s nature. I doubt very much whether Percy Lubbock read these.

The inspiration of George’s book was probably James Frazer’s The Golden Bough (1890), which personally I find unreadable. George was knitting together a vast skein of Slavonic, Greek, and Indo-European religious practices on the basis of homology, analogy, and in particular philology. It was the latter that George’s friend the French Slavist Paul Boyer objected to; in fact rejected. Moreover, George’s reviews of other anthropologists’ work suggest that (a) he could not decide whether religious practices had spread geographically or were the result of polygenesis, (b) his approach was diachronic, but he had little historical evidence to hang it on. Altogether, one could not today describe his methodology as scientific. He substantiates, ‘verifies’, the connections he makes, but they are hardly ‘falsifiable’ in the first place. Ultimately, I feel, the picture he was weaving in his ‘magnum opus’ was probably more like the poetic systems of William Blake, say, or the late Ted Hughes, rather than the empirical structuralism of modern anthropology.

However, if there was one thing George Calderon the ex-barrister could do it was argue a case. I showed his 1913 article to the present Professor of Slavonic Studies at Cambridge University, Dr Simon Franklin, and he felt that it was ‘very cleverly and impressively written’ and certainly offered ‘a way into the history of mankind’, even if it would not be rigorous by today’s academic standards. This seems praise indeed.

After George’s death, Kittie sought a Slavist who could either create the book George intended from the materials he had left, or use the materials for his/her own scholarly ends. It seems no such Slavist could be found in Britain. One possibility was for the materials to go to a former colleague of George’s, a Professor Rose in Leipzig, but nothing further is known of that. A 1938 letter in Kittie’s archive from the American Slavist Fritz Epstein suggests that Kittie’s friend, the educationist Isabel Fry, was instrumental in getting the materials to Epstein, who was extremely keen to have them and work on them with other Harvard specialists in ‘Slavonic philology’. However, I have failed to find any sign of the papers in U.S. archives.

As usual, George was too far ahead of his time for Slavonic Studies in Britain to appreciate what he was doing. In the 1930s, let alone today, his research/writing on Slavonic folklore and religious cults would have been extremely useful to British specialists in those fields. But it seems to have disappeared without trace.

Next entry: 28 April 1915: The First Battle of Krithia

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