Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George Calderon c.1901
Christmas 1901 Cartoon by George Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
Frontis piece by Frank Calderon
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Unpublished watercolour by George Calderon, Tahiti 1906
Sir Richard Vincent Sutton c. 1913
Captain of the 11
George and Kittie Calderon 1905
Patrick Miles in his summer house, 11 December 2016
George Calderon, 1912
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Jean Ryckaert, May 1916.
Colonel Sir Walter Coote Hedley c. 1920
Basic form of the Calderon coat of arms
Monarch Butterfly Madeira
Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: Constance Garnett
The magnificent Mary Ann
Long-term followers of Calderonia will recall that I had always had a theory that the person who taught George to speak Russian credibly before he set out for St Petersburg in 1895 was a ‘Mrs Shapter’, but in my biography … Continue reading
Posted in Uncategorized
Tagged Alexander I, Andrew Jones, Anton Chekhov, biographies, biography, Camille Silvy, Clara Calderon, Constance Garnett, Evan Hodgson, Exeter, Francke family, George Calderon, George Calderon: Edwardian Genius, Glasgow Repertory Theatre, Harry Leeke Gibbs, Harvey Pitcher, John Hodgson, John Shapter, Kittie Calderon, Laurence Binyon, Manya Guseva, Mary Ann Shapter, Mary Gibbs Shapter, Michael Pursglove, Mrs Shapter, Museum of the Home, National Portrait Gallery, Nicholas I, Olga Novikoff, oracy, P.H. Calderon, Russia, Sally Jones, silver, sketchbooks, St John's Wood Clique, St Petersburg, The Seagull, The Smiths of Moscow, theatre, Thomas Shapter, toddy ladle, Whishaw family, Yeames family
2 Comments
Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
9 Comments
A TLS review!!!
I was rendered soundless and motionless last Thursday when a stalwart subscriber emailed to tell me that a full-length review of George Calderon: Edwardian Genius had appeared that morning in The Times Literary Supplement. A Zen moment indeed. For consider: … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Anglo-Russian cultural relations, Anton Chekhov, Ballets Russes, biographies, biography, Calderonia, Charlotte Jones, comments, Constance Garnett, George Calderon, George Calderon: Edwardian Genius, Kittie Calderon, Laurence Binyon, Laurence Sterne, life-writing, modernism, Nina Corbet, Professor Rose of Leipzig, reviews, Russomania, Tahiti, The Seagull, Times Literary Supplement, TLS, Tristram Shandy, William John Rose
2 Comments
Rochelle Townsend’s ‘Uncle Vanya’
In my introduction to these four posts about the ‘mystery’ Misses and Misters who feature in my biography of George Calderon and the world of Edwardian Anglo-Russian cultural relations, I said that after Michael Pursglove’s magnificent post about the ‘mysterious’ … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Aldwych Theatre, Anton Chekhov, authorship, Chekhov on the British Stage, collaborators, comments, Constance Garnett, English premieres, George Calderon, Herbert Grimwood, Incorporated Stage Society, L.P. Hartley, Michael Pursglove, Rochelle Townsend, stage managers, translation, Uncle Vanya, Victoria & Albert Museum
1 Comment
Inestimable Russianist 1: Michael Pursglove
(This series is timed to coincide with the 2019 Annual Conference of the British Association for Slavonic and East European Studies held 12-14 April at Robinson College, Cambridge, where Sam&Sam will be promoting George Calderon: Edwardian Genius.) When Michael Pursglove … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged A.B. Murphy, Alexander Pushkin, Alma Books, Andrei Voznesenskii, Andrew Assumption, Anna Karenina, Aylmer Maude, BASEES, comments, Constance Garnett, deaf community, Dmitrii Grigorovich, Fedor Dostoevskii, Fedor Tyutchev, George Calderon, Great Britain-Russia Society, Ivan Turgenev, Larissa Miller, Lev Tolstoy, Louise Maude, Michael Pursglove, Mikhail Lermontov, Moscow and Muscovites, Mrs Shapter, Petr Viazemskii, Professor Rose, publishers, Reading University, Robert Conquest, Robinson College, Russianists, translators, Vladimir Giliarovskii
2 Comments
Inestimable Russianists: A Coming Series of Posts
Frankly, one of the worst experiences from publishing my biography of George Calderon has been the appalling response to the 71 complimentary and review copies that I sent out. I was encouraged, for instance, by specific journalists at The Times, TLS, … Continue reading
Posted in Edwardian literature, Personal commentary
Tagged ABEbooks, Aylmer Maude, biographies, comments, complimentary copies, Constance Garnett, George Calderon, George Calderon: Edwardian Genius, Harvey Pitcher, John Dewey, journalists, Michael Pursglove, reviewers, rudeness, Russianists, Sam&Sam, translators
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The Editor-in-Chief
It is a truth universally forgotten until too late, that as soon as we call a kettle black we start turning into a pot. I know too much about Constance Garnett, her husband Edward and his father Richard. There … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Anton Chekhov, Charles Dickens, Constance Garnett, cricket, D.H. Lawrence, Duckworth, editors, Edward Garnett, Edward Thomas, H.E. Bates, Helen Smith, John Galsworthy, Jonathan Cape, Joseph Conrad, kettles, pots, publishers readers, Richard Garnett, T. Fisher Unwin, T.E. Lawrence, William Heinemann
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Watch this Space
Calderonia is an experiment in biography through a blog. It tells the story of George and Kittie Calderon’s lives from 30 July 1914 to 30 July 1915 from day to day as it happened, but exactly 100 years afterwards. It therefore … Continue reading
Posted in Personal commentary
Tagged 'real time', Anton Chekhov, biographies, biography, Calderonia, comments, Constance Garnett, Dardanelles, deadlines, Gallipoli, George Calderon, Jenny Hands, political parties, Taoism, The Great War, The Stage Society, trade unionism, World War I, Ypres
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The Edwardian turn of language
If George’s translations are ‘quirky’ and Constance’s ‘bland’, what is it they have in common that qualifies them both as ‘Edwardian’? A certain kind of logorrhoea combined with loose sentence structure and genteelism. Garnett, it has to be said, is … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, comments, Constance Garnett, George Calderon, Harold Pinter, Kittie Calderon, Michael Frayn, Michel St-Denis, Royal Scottish Academy of Music and Drama, The Cherry Orchard, The Seagull, Theodore Komisarjevsky
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Two anniversaries
Today is Anton Chekhov’s birthday. It is also the anniversary of the publication of George Calderon’s translations of The Seagull and The Cherry Orchard on 29 January 1912. Was this a coincidence? Probably not. The publisher, Grant Richards, was making a risky investment … Continue reading
George Calderon’s New Drama
Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he … Continue reading →