Colonel Sir Walter Coote Hedley c. 1920
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Sir Richard Vincent Sutton c. 1913
Jean Ryckaert, May 1916.
Unpublished watercolour by George Calderon, Tahiti 1906
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
George Calderon c.1901
Basic form of the Calderon coat of arms
Frontis piece by Frank Calderon
Patrick Miles in his summer house, 11 December 2016
Monarch Butterfly Madeira
George Calderon, 1912
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Christmas 1901 Cartoon by George Calderon
Captain of the 11Recent Comments
- Catherine Brown on The diary of a writer-publisher: 38 Thank you so much for this wonderful recollection of Mr Prynne. In case of interest, my own, which concerns Prynne in the 1990s, is here:... (May 21, 2026 at 11:20 am)
- harvey pitcher on The diary of a writer-publisher: 37 well, i had a shock when you said you'd acquired a dog but then i saw it wasn't. i have nothing against dogs though i prefer cats but fiona is very opposed to dogs or rather... (April 15, 2026 at 4:35 pm)
- Laurence Brockliss on A new story by John Melmoth: ‘Snowballs’ What a pitch perfect short story: crisp, graphic, nostalgic, evocative and mischievous. The injustice of schoolboy punishments comes in many forms, is never forgotten and is... (March 10, 2026 at 10:09 am)
- Patrick Miles on The diary of a writer-publisher: 36 Wonderful, Andrew! Thank you very much. I will borrow that title, if you don't object... I hope you will allow Calderonia to feature your own next magnum opus after the Great... (February 28, 2026 at 8:18 am)
- Andrew Tatham on The diary of a writer-publisher: 36 A brilliantly evocative and thought-provoking medley of observations that would not be out of place in 'The collected life of a flat-cap penguin' (your words, only slightly... (February 27, 2026 at 9:48 am)
Tag Archives: The Myrrh-Bearing Women
From the diary of a writer-publisher: 28
11 February 2024 Do not be put off trying an ‘Escape Room’ because you fear claustrophobia: you aren’t actually locked into it, you simply have to solve a series of problems (often involving locks) in order to complete a narrative … Continue reading →
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Tagged Aleksei Navalnyi, androconia, Armageddon, asteroids, birds of prey, Brimstone butterflies, butterflies, catacomb Christians, Christ's Harrowing of Hell, counterpoint, Dmitrii Medvedev, Dmitrii Peskov, drones, E.B. Ford, escape rooms, games, German language, Green-Veined White, Hölderlin, icons, Ivan Turgenev, metres, Petr Tchaikovsky, puzzles, resurrection, Sam&Sam, Sam2, scents, science fiction, space station, The Cleopatra, The Myrrh-Bearing Women, The White Bow:Ghoune, Twitter, verse translation, Vladimir Putin, Vlamiri Nabokov, Wenn aus der Ferne
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D.H. Lawrence’s ‘christology’
This post is dedicated to the memory of JOHN POLKINGHORNE scientist-theologian 16 October 1930 – 9 March 2021 My thanks know no end to John Pym, Damian Grant and Laurence Brockliss for their superb posts on Lawrence’s Women in Love, … Continue reading →
Posted in Edwardian character, Edwardian English, Edwardian literature, Personal commentary
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Tagged Birkin, Calderonia, compassion, D.H. Lawrence, Damian Grant, death, Easter, gentleness, Gerald Crich, Gudrun, guest posts, Halliday, icons, Isis, Jesus Christ, John Polkinghorne, John Pym, kenosis, kindness, Laurence Brockliss, Mary Magdalene, mysticism, New Testament, Old Testament, Osiris, resurrection, Russian icons, second presence, sex, sexuality, Sidon, St Gregory of Nazianus, The Bible, The Man Who Died, The Myrrh-Bearing Women, The Rainbow, theology, Ursula, What Can We Hope For?, women, Women in Love
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‘The Women’ (after Pasternak)
Garden real, not real, mere real, unreal, indivisible for them, their being. Green-gilt catkins hang — then shudder, hurl angelstruck: ‘He is not dead, but living!’ And everything they knew is put aside. A rock may move. Myrrh is not … Continue reading →