Tag Archives: Anton Chekhov

Commemoration (to be concluded)

Mr Pym, who is the grandson of Violet and Evey Pym, of Foxwold, two of the Calderons’ closest friends, sent me this poem a fortnight before the anniversary of George Calderon’s death. He was not able to take part in … Continue reading

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George Calderon: a tribute

As I have written before, the question everyone asks me is: ‘Who is George Calderon?’ Perhaps unconsciously, some people seem to intonate this as a rhetorical question implying: ‘Why are you spending years of your life writing about a person … Continue reading

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Hypothesis, or conspiracy theory?

Whilst writing Crime and Punishment Dostoevsky reminded himself in his notebook that he must ‘establish why Raskol’nikov killed the old woman’; although he had already suggested several reasons in the novel. The question ‘why George Calderon insisted on signing up at the … Continue reading

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Ruth Scurr’s exhilarating experiment

In my post of 6 March I discussed an essay by Ruth Scurr about biography that had just appeared in the Guardian Review. Her essay stirred up a whole hive of issues that the modern biographer should be aware of and needs … Continue reading

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‘The Lamp’ (Concluded)

Today, 18 April 1915, was a Sunday. Kittie doubtless went to church (we don’t yet know which one), with Nina, Jim Corbet and her god-daughter Lesbia very much on her mind. Perhaps George thought further about what he was going … Continue reading

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‘The Maharani’: A postscript

Read The Maharani of Arakan yourself to decide whether it is (just) ‘A Romantic Comedy’, as George playfully subtitled it, or a ‘Symbolist Mystery Play’ (allegory)!  Having re-read it over the weekend, I increasingly feel it’s the latter. If it is … Continue reading

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What is ‘The Lamp’ about? (2)

Presumably George was home again at 42 Well Walk, Hampstead, for the long weekend of 9-12 April 1915, so he may have done more work on leaving various literary projects in a publishable state in case he did not come … Continue reading

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10 April 1915: A professional soldier

Today the 9th Battalion Ox and Bucks at Fort Brockhurst near Portsmouth was converted from a Service Battalion to a Reserve Battalion. It comes as a shock: George Calderon’s training as a lieutenant was over, and he could volunteer or … Continue reading

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‘Phantom flies in amber’ (Concluded)

In my post of 5 January I described what I assume is a bugbear of all biographers: ‘facts’ that you have acquired from somewhere, that stick in your mind like flies in amber, but when you want to use them … Continue reading

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Weekend work: ‘The Lamp’

If, as I have suggested, George used his long weekend leave to put his literary manuscripts in order, then as well as working on a detailed synopsis of Tahiti (see my posts of 14 and 21 March) he must have done something … Continue reading

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Who was George Calderon (again)?

I first posted on this subject last year, 13 September. The reason I am touching on it again now is that a follower has very kindly sent me a cutting from the International New York Times of 23 January which is … Continue reading

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A biographer in-spires

I have just read a long article by Ruth Scurr, ‘Lives, some briefer than others’, in last Saturday’s Guardian Review (28 February), which I thoroughly recommend to followers if they can get it, along with a piece by Stuart Kelly, ‘Enter … Continue reading

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Writers’ illnesses

Presumably George Calderon had recovered from the influenza that confined him to Fort Brockhurst for a fortnight; but if so, why did he come home on sick leave ‘still very ill and with a high temperature’, as Kittie described it? … Continue reading

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Profs Phelps and Senelick get it right

On 14 September 1922 the following letter appeared on pages 584-85 of the Times Literary Supplement:  Sir, — In your issue for August 3 you say “outside Mr Lubbock’s book, Calderon’s plays and ‘Tahiti’ are all that is left of a … Continue reading

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The Edwardian turn of language

If George’s translations are ‘quirky’ and Constance’s ‘bland’, what is it they have in common that qualifies them both as ‘Edwardian’? A certain kind of logorrhoea combined with loose sentence structure and genteelism. Garnett, it has to be said, is … Continue reading

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Mews, hues, and wonkers

So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading

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