Tag Archives: comments

‘…but Mr Jones does look a nice dog’

After enduring a long bout of illness and the first anniversary of George’s disappearance at Gallipoli, in the summer of 1916 Kittie decided she must channel her energies into a number of useful and therapeutic activities. One of these was … Continue reading

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Guest post: Clare Hopkins, ‘One Man and his College’

Anyone who has ever watched an episode of Morse or Lewis will know that Oxford Colleges are well supplied with portraits. Founders, archbishops, prime ministers, and Nobel Prize winners gaze grandly down from the panelled walls of Dining Halls. Smaller … Continue reading

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George’s alma maters

I little thought, when I visited the archives of Trinity College, Oxford, on 4 August 2011 to research aspects of George Calderon’s undergraduate years there, that five years later I would still be in invaluable contact with the Archivist, Clare … Continue reading

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‘He became his admirers…’

W.H. Auden’s ‘In Memory of W.B. Yeats’ describes Yeats’s death in January 1939, culminating in: ‘The current of his feeling failed: he became his admirers.’ I often think the word should be ‘readers’ rather than ‘admirers’, for as Auden himself … Continue reading

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‘bubbling with wit and good humour’

In a letter to the TLS  (9 July 2010) I appealed for unpublished letters or works of George Calderon, but also asked readers to contact me if they had ‘come across references to him in obscure publications’. My thinking was that … Continue reading

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Some ‘announcements’

I am staggered that my Introduction has passed its latest grilling, been tweaked yet again, and finalised as version 8. Deep down, though, I know I can’t write this sort of thing. To quote another favourite tag of Chekhovians, from Three … Continue reading

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Holroyd on biography

Whenever I re-read my typescript, I check the sources for a few facts or assertions chosen at random. The last time I was re-reading, one of the assertions that struck me as needing checking was that Augustus John had been … Continue reading

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One does the hokey cokey

I said in my post of 6 October (nearly two months ago!) that I was ‘fired up to put the last tittle on my biography by the end of November’, which meant in the first instance writing the Afterword (‘Who … Continue reading

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‘The Long Shadow’, War Poetry, and Commemoration

  Faithful followers of this blog will recall my account on 16 December 2015 of Professor David Reynolds’s public lecture ‘Making Peace with the Great War: Centenary Reflections’. I have now read the book behind the lecture (see above) and … Continue reading

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A letter to the ‘Manchester Guardian’, 12 May 1919

Sir, — The recent notice in the “Times” of George Calderon’s death in battle on Gallipoli tells his friends that they may hope no longer. To us the loss is inexpressible. That which the theatre has suffered cannot, of course, … Continue reading

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‘…you may touch them not.’

Over the last two years, I have been asked why I chose Wilfred Owen’s line ‘Weep, you may weep, for you may touch them not’ as the epigraph to Calderonia; why I am apparently fond of the poem; whether I … Continue reading

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And the asp jumped over the chimney sweeper!

That time of year is approaching again…the time of public readings of verse four of Laurence Binyon’s ‘For the Fallen’. I shall be listening carefully for who says ‘grow-not old’, who ‘grow not-old’, and who indeed ‘not grow old’ (see … Continue reading

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Guest post: Harvey Pitcher, ‘Calderon on Chekhov’

Some years have passed since I last took down my copy of Two Plays of Tchekhof: Translated, with an Introduction and Notes by George Calderon (1912). I remembered the book with affection, especially the introduction, but going back to old … Continue reading

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The limits of biography

I do not know why the popularity of autobiographies and biographies has mushroomed in 21st century Britain. I wish someone would tell us. Meeting and communicating with people makes the world go round, of course, so perhaps the fact that … Continue reading

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Percy Lubbock: ‘Esoteric and intimate portraiture’

  One of Ruth Scurr’s aims in John Aubrey: My Own Life was to ‘produce a portrait’ of Aubrey, but naturally she did not write it in the biographical genre known as ‘literary portrait’. This genre seems to have grown out … Continue reading

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Ruth Scurr: ‘A book in which he is still alive’

  If in her first biography Ruth Scurr’s identity approached that of Robespierre as a ‘friend’, in John Aubrey: My Own Life (2015) she seems to have merged her identity with Aubrey altogether. The fundamental problem of modern biography, Scurr has written elsewhere, … Continue reading

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