Category Archives: Personal commentary

Tahiti: an imagined world?

It must have taken great self-control for George to concentrate on making a full synopsis of his book Tahiti when he was home on weekend leave, rather than simply keep writing it. But it was certainly the most rational approach. … Continue reading

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‘Calderonia’: an update

New followers of the blog deserve an explanation, I feel, of why the last four posts have been purely military and what stage ‘Calderonia’ is at. The main object of the blog is to follow the last year of writer … Continue reading

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Who was George Calderon (again)?

I first posted on this subject last year, 13 September. The reason I am touching on it again now is that a follower has very kindly sent me a cutting from the International New York Times of 23 January which is … Continue reading

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A biographer in-spires

I have just read a long article by Ruth Scurr, ‘Lives, some briefer than others’, in last Saturday’s Guardian Review (28 February), which I thoroughly recommend to followers if they can get it, along with a piece by Stuart Kelly, ‘Enter … Continue reading

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The biographer perspires

For a few days, I am almost entirely taken up with two smallish but extended projects that have nothing to do with my biography of George Calderon. This is highly frustrating. I tied up chapter 14, which ends with George … Continue reading

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The return to Tahiti

Calderon arrived in London from Tahiti on 30 October 1906 and started writing his book about the island in November 1907. However, he soon gave it up to concentrate on his plays The Fountain and Cromwell: Mall o’Monks. Meanwhile, as Kittie put … Continue reading

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‘Black Pot’ and black holes

For the first two years that I was writing George Calderon’s biography, its working title was Black Pot: The Mysterious Life of George Calderon.  The reason for this was not just that several people before me had failed to find significantly … Continue reading

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Writers’ illnesses

Presumably George Calderon had recovered from the influenza that confined him to Fort Brockhurst for a fortnight; but if so, why did he come home on sick leave ‘still very ill and with a high temperature’, as Kittie described it? … Continue reading

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Profs Phelps and Senelick get it right

On 14 September 1922 the following letter appeared on pages 584-85 of the Times Literary Supplement:  Sir, — In your issue for August 3 you say “outside Mr Lubbock’s book, Calderon’s plays and ‘Tahiti’ are all that is left of a … Continue reading

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The Edwardian turn of language

If George’s translations are ‘quirky’ and Constance’s ‘bland’, what is it they have in common that qualifies them both as ‘Edwardian’? A certain kind of logorrhoea combined with loose sentence structure and genteelism. Garnett, it has to be said, is … Continue reading

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Mews, hues, and wonkers

So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading

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The dear departed

After writing the last sentence of George’s life in its strict earthly sense (I have two short chapters about his and Kittie’s afterlife still to write), I left the manuscript chapter for a day before coming back to revise it, as … Continue reading

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The Scott syndrome

Two days ago, I happened to hear on Radio 3 Sarah Walker’s introduction to her ‘Choice’ on Essential Classics, which was Vaughan Williams’s Sinfonia Antartica (sic). As I recall it now, she said that the composer was commissioned to write the … Continue reading

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A biographer sighs

I have now written the last chapter of Calderon’s life (not the last chapter of the book), and revised it in manuscript. I have been living with the whole Gallipoli campaign for the past three months. Although this has not … Continue reading

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Lacunae: the ‘benefits’

So (see my post of 21 January) we do not know a great deal about George Calderon’s training at Fort Brockhurst between now and the middle of April 1915, nor about his relationship with Kittie in that period, because of … Continue reading

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They have wonderful editors

Hilary Mantel is an excellent writer. But when it was announced in January 2013 that Wolf Hall and Bring Up the Bodies were going to be adapted for the RSC and a media maelstrom broke out, I felt uneasy. It wasn’t as though Thomas … Continue reading

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