K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Captain of the 11
Basic form of the Calderon coat of arms
Christmas 1901 Cartoon by George Calderon
Frontis piece by Frank Calderon
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Monarch Butterfly Madeira
Jean Ryckaert, May 1916.
George and Kittie Calderon 1905
George Calderon, 1912
George Calderon c.1901
Colonel Sir Walter Coote Hedley c. 1920
The entrance to Fort Brockhurst (picture from Britain’s Past)
Sir Richard Vincent Sutton c. 1913
Unpublished watercolour by George Calderon, Tahiti 1906
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Patrick Miles in his summer house, 11 December 2016Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: Well Walk
A stunning discovery
Mr Garry Humphreys is writing a major book about the English composer Arthur Somervell (1863-1937), as well as compiling a catalogue raisonné of Somervell’s compositions. On 6 September last year he emailed me to ask whether I thought a typescript … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Personal commentary
Tagged 'Scheherazade', Abu Nâsi, Arthur Somervell, ballet, Ballets Russes, biographies, biography, cartoons, comments, Dardanelles, Gallipoli, Garry Humphreys, George Calderon, George Calderon: Edwardian Genius, Heathland Lodge, Islam, John Pym, Kittie Calderon, Konstantin Stanislavsky, Michel Fokine, Middle East, mimodramas, Moscow Arts Theatre, The Blue Cloth, The Great War, The Red Cloth, Third Battle of Krithia, Vsevolod Meyerhold, Well Walk, World War I, Ypres
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Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
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Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Airs Russes, Albert Cazabon, Aleksandr Glazunov, Alfred Wareing, Anatolii Liadov, Andante cantabile, Anton Chekhov, Ballets Russes, Basil de Sélincourt, biographies, biography, Chanson Trise, comments, Daniel Auber, Dardanelles, Eastcote, Edvard Grieg, eidetics, Gaetano Donizetti, George Calderon, Glasgow Repertory Theatre, Heathland Lodge, Henryk Wieniawski, Jean Sibelius, Kittie Calderon, Konstantin Stanislavsky, L'elisir d'amore, Le Philtre, Les Vendredis, Lev Tolstoi, Madeira, moods, Moscow Art Theatre, Nikolai Sokolov, Peter Tchaikovsky, smell, sound, The Seagull, Trinity College Oxford, Valse Triste, Well Walk
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‘He was away, far away…’
The S.S. Aguila, a cruise ship of the Yeoward Line, dropped anchor off Funchal, the capital of Madeira, on 31 March 1913, probably around lunchtime. There were twenty-nine passengers aboard, including George Calderon. Within a couple of hours he was sitting … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged acacias, Acton Reynald, African Tulip, Anton Chekhov, Archie Ripley, biographies, biography, Botanical Gardens Funchal, bougainvillea, cable cars, Canary Islands, Charles Lambe, Clara Butt, comments, Dardanelles, Funchal, Gallipoli, George Calderon, Harold Dowdall, Jim Corbet, Kittie Calderon, Las Palmas, Lesbia Corbet, Levada do Norte, Lisbon, Liverpool, Madeira, Manchester, Mary Downdall, Monarch butterfly, Monte, Monte Palace Hotel, Nina Astley, Nina Corbet, Portugal, R.M.S. 'Orsova', Reginald Astley, Revolt, S.S. Aguila, Spain, Tahiti, The Canary Islands, The Fountain, The Great War, Trinity College Oxford, Tropical Gardens Funchal, Well Walk, wicker toboggans, World War I, Yeoward Line
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Commemoration (to be concluded)
Mr Pym, who is the grandson of Violet and Evey Pym, of Foxwold, two of the Calderons’ closest friends, sent me this poem a fortnight before the anniversary of George Calderon’s death. He was not able to take part in … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Archie Ripley, Captain Charles Evelyn Pym, Catherine Lubbock, comments, Dardanelles, Devonport, Earlham, Emmetts, Foxwold, Frederic Lubbock, Gallipoli, George Calderon, Hampstead, Horatius, John Pym, King's Own Scottish Borderers, Kittie Calderon, Laura Ripley, Percy Lubbock, The Great War, Third Battle of Krithia, Thomas Babington Macaulay, Violet Pym, Well Walk, World War I
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11 June 1915
Sometime today, which was a Friday, Kittie received the following telegram: O.H.M.S. I certify that this telegram is sent on the service of the WAR OFFICE [Signature] 2nd Lieut. Calderon Oxford Light Infantry attached K.O.S. Borderers was wounded June 4th. … Continue reading
Posted in Edwardian marriage
Tagged Belgium, Flanders, Gallipoli, George Calderon, Hampstead, King's Own Scottish Borderers, Kittie Calderon, KOSB, Nina Astley, Oxfordshire and Buckinghamshire Light Infantry, telegrams, The Great War, Third Battle of Krithia, War Office, Well Walk, World War I, Ypres
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10 June 1915
Today Kittie returned to Well Walk, Hampstead, from staying with the Pyms and Lubbocks in Kent. The Belgian refugee Jean Ryckaert, who had been living at the Calderons’ since October 1914, had recently left, whether for a job in central … Continue reading
George Calderon: A complete new work surfaces
Garry Humphreys, author of a forthcoming book on Arthur Somervell (1863-1937), and I have now received from the archives of the Royal College of Music a link to the score of Somervell’s music for George’s ballet libretto The Blue Cloth (which … Continue reading →