Unpublished watercolour by George Calderon, Tahiti 1906
Monarch Butterfly Madeira
Captain of the 11
Patrick Miles in his summer house, 11 December 2016
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
George and Kittie Calderon 1905
Sir Richard Vincent Sutton c. 1913
Christmas 1901 Cartoon by George Calderon
George Calderon, 1912
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Frontis piece by Frank Calderon
The entrance to Fort Brockhurst (picture from Britain’s Past)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Colonel Sir Walter Coote Hedley c. 1920
Jean Ryckaert, May 1916.
Basic form of the Calderon coat of arms
George Calderon c.1901
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: Madeira
‘He was away, far away…’
The S.S. Aguila, a cruise ship of the Yeoward Line, dropped anchor off Funchal, the capital of Madeira, on 31 March 1913, probably around lunchtime. There were twenty-nine passengers aboard, including George Calderon. Within a couple of hours he was sitting … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged acacias, Acton Reynald, African Tulip, Anton Chekhov, Archie Ripley, biographies, biography, Botanical Gardens Funchal, bougainvillea, cable cars, Canary Islands, Charles Lambe, Clara Butt, comments, Dardanelles, Funchal, Gallipoli, George Calderon, Harold Dowdall, Jim Corbet, Kittie Calderon, Las Palmas, Lesbia Corbet, Levada do Norte, Lisbon, Liverpool, Madeira, Manchester, Mary Downdall, Monarch butterfly, Monte, Monte Palace Hotel, Nina Astley, Nina Corbet, Portugal, R.M.S. 'Orsova', Reginald Astley, Revolt, S.S. Aguila, Spain, Tahiti, The Canary Islands, The Fountain, The Great War, Trinity College Oxford, Tropical Gardens Funchal, Well Walk, wicker toboggans, World War I, Yeoward Line
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George L. Calderon, cartoonist
I am extremely grateful to James Miles for his vibrant guest post on Schulz and Peanuts. It certainly improved Calderonia’s viewing figures! I am always loth to ‘take down’ guest posts, because they have something unique and often definitive about them. … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Ballets Russes, biographies, biography, Charles M. Schulz, comments, Funchal, George Calderon, Kittie Calderon, Madeira, Max Beerbohm, Michel Fokine, Peanuts, Percy Lubbock, The Red Cloth
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Biography’s unheard dimension
Biography is words. Personally, I hear words when I am writing rather than being focussed on their soundless written form — which is probably why I am less than 100% consistent in my presentation of the hieroglyphs on paper. I … Continue reading →