Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Monarch Butterfly Madeira
Frontis piece by Frank Calderon
Christmas 1901 Cartoon by George Calderon
Patrick Miles in his summer house, 11 December 2016
George and Kittie Calderon 1905
Captain of the 11
Jean Ryckaert, May 1916.
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George Calderon c.1901
Basic form of the Calderon coat of arms
Colonel Sir Walter Coote Hedley c. 1920
Book sent to George Calderon in Russia by his mother, Christmas 1895.
The entrance to Fort Brockhurst (picture from Britain’s Past)
Unpublished watercolour by George Calderon, Tahiti 1906
George Calderon, 1912
Sir Richard Vincent Sutton c. 1913Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: Laurence Senelick
Some ‘announcements’
I am staggered that my Introduction has passed its latest grilling, been tweaked yet again, and finalised as version 8. Deep down, though, I know I can’t write this sort of thing. To quote another favourite tag of Chekhovians, from Three … Continue reading
Posted in Edwardian character, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, biographies, biography, Calderonia, Clare Hopkins, comments, George Calderon, Grant Richards, guest posts, Harvey Pitcher, Laurence Senelick, Three Sisters, Times Literary Supplement, Trinity College Oxford, William Lyon Phelps
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Mews, hues, and wonkers
So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, comments, Constance Garentt, Elizaveta Fen, George Calderon, Glasgow Repertory Theatre, John Galsworthy, John Russell Brown, Larus ridibundus, Laurence Senelick, Lydia Yavorskaya, Ronald Hingley, Royal National Theatre, The Cherry Orchard, The Seagull, The Stage Society
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FIRST BIOGRAPHY OF THE MAN WHO BROUGHT CHEKHOV TO BRITAIN!
This book, the first full-length biography of the significant Edwardian literary and political figure George Calderon, who lived in Russia 1895-97, was an expert on Russian folklore and literature, premiered Chekhov in Britain, wrote the best seller Tahiti, and was killed … Continue reading →