Sir Richard Vincent Sutton c. 1913
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
George Calderon c.1901
Colonel Sir Walter Coote Hedley c. 1920
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Frontis piece by Frank Calderon
Patrick Miles in his summer house, 11 December 2016
Basic form of the Calderon coat of arms
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Unpublished watercolour by George Calderon, Tahiti 1906
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Jean Ryckaert, May 1916.
George Calderon, 1912
George and Kittie Calderon 1905
The entrance to Fort Brockhurst (picture from Britain’s Past)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Monarch Butterfly Madeira
Christmas 1901 Cartoon by George Calderon
Captain of the 11Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: John Galsworthy
The Editor-in-Chief
It is a truth universally forgotten until too late, that as soon as we call a kettle black we start turning into a pot. I know too much about Constance Garnett, her husband Edward and his father Richard. There … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Anton Chekhov, Charles Dickens, Constance Garnett, cricket, D.H. Lawrence, Duckworth, editors, Edward Garnett, Edward Thomas, H.E. Bates, Helen Smith, John Galsworthy, Jonathan Cape, Joseph Conrad, kettles, pots, publishers readers, Richard Garnett, T. Fisher Unwin, T.E. Lawrence, William Heinemann
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Guest posts and…George a Labour man?
I don’t think it’s an exaggeration to say that biography is going through a particularly fertile and innovative time. I’m always interested, then, in biographies about new subjects and biographies that tell their stories in new ways. Next week, blogmaster … Continue reading
Posted in Edwardian character, Edwardian literature, Modern parallels, Personal commentary
Tagged Alexander Masters, Alison Miles, Arthur Bourchier, biographies, biography, Brideshead Revisited, Charles Schulz, comments, Elizabeth Jane Howard, Evelyn Waugh, Forsyte Saga, George Bernard Shaw, George Calderon, Hubert Harben, Independent Labour Party, James Miles, John Galsworthy, Kittie Calderon, Laurence Brockliss, Mary Jerrold, Philip Harben, Strand Theatre, The Fountain
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Mews, hues, and wonkers
So (see ‘Two anniversaries’, 29 January), save perhaps for a few lost manuscript versions of Chekhov’s one-act plays made throughout the British Empire for amateur performance, Constance Garnett was the first person to translate a Chekhov play into English (The … Continue reading
Posted in Edwardian English, Edwardian literature, Modern parallels, Personal commentary
Tagged Anton Chekhov, comments, Constance Garentt, Elizaveta Fen, George Calderon, Glasgow Repertory Theatre, John Galsworthy, John Russell Brown, Larus ridibundus, Laurence Senelick, Lydia Yavorskaya, Ronald Hingley, Royal National Theatre, The Cherry Orchard, The Seagull, The Stage Society
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George Calderon’s New Drama
Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he … Continue reading →