Monarch Butterfly Madeira
The entrance to Fort Brockhurst (picture from Britain’s Past)
Captain of the 11
Patrick Miles in his summer house, 11 December 2016
George Calderon, 1912
Frontis piece by Frank Calderon
Basic form of the Calderon coat of arms
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)
Unpublished watercolour by George Calderon, Tahiti 1906
Jean Ryckaert, May 1916.
Colonel Sir Walter Coote Hedley c. 1920
Book sent to George Calderon in Russia by his mother, Christmas 1895.
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Sir Richard Vincent Sutton c. 1913
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Christmas 1901 Cartoon by George Calderon
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
George Calderon c.1901
George and Kittie Calderon 1905Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Tag Archives: Far End
Far End draws closer
On 26 January I blogged about the house Far End at Kingham in Oxfordshire, which I had heard about for the first time from Mrs Mary Lowe, whom we traced as the copyright holder for unpublished works of the American … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anne Douglas Sedgwick, Balbec, Basil de Sélincourt, biographies, biography, D.H. Lawrence, Dardanelles, F.R. Leavis, Far End, Gallipoli, Garsington, George Calderon, Giotto, Ian Lowe, Julia Chapin Alsop, Kingham, Kittie Calderon, Lady Ottoline Morrell, Laurence Binyon, Marcel Proust, Mary Lowe, New College Oxford, Oxfordshire, Petersfield, Piccadilly, Sir Edward Grey, Swan & Edgar, Tante, The Encounter, The Good Life, The Great War, The Little French Girl, Third Battle of Krithia, vegetables, Virago Classics, Walt Whitman, William Blake, Women in Love, World War 2, World War I
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Far End: a new Calderonian world
The greatest pleasure to have come out of the hair-tearing ordeal of obtaining permission to publish quotations from scores of letters to George and Kittie written a hundred years ago (see 17 April 2017) has been to correspond with Mrs … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Personal commentary
Tagged Acton Reynald, Anne Douglas Sedgwick, Anton Chekhov, Basil de Sélincourt, biography, Bruce Richmond, Chipping Norton, comments, Far End, Foxwold, Gallipoli, George Calderon, Goncourt Brothers, Hugh Walpole, Ivan Turgenev, Kingham, Kittie Calderon, Lady Ottoline Morrell, Laurence Binyon, Petersfield, Sir Edward Grey, The Encounter, The Great War, Victoria Cholmondeley, World War I, Ypres
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Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading →