Tag Archives: comments

A stunning discovery

Posted on January 15, 2024 by Patrick Miles

Mr Garry Humphreys is writing a major book about the English composer Arthur Somervell (1863-1937), as well as compiling a catalogue raisonné of Somervell’s compositions. On 6 September last year he emailed me to ask whether I thought a typescript … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Personal commentary | Tagged 'Scheherazade', Abu Nâsi, Arthur Somervell, ballet, Ballets Russes, biographies, biography, cartoons, comments, Dardanelles, Gallipoli, Garry Humphreys, George Calderon, George Calderon: Edwardian Genius, Heathland Lodge, Islam, John Pym, Kittie Calderon, Konstantin Stanislavsky, Michel Fokine, Middle East, mimodramas, Moscow Arts Theatre, The Blue Cloth, The Great War, The Red Cloth, Third Battle of Krithia, Vsevolod Meyerhold, Well Walk, World War I, Ypres | Leave a comment

NEW YEAR

Posted on January 1, 2024 by Patrick Miles

Whether you are stalwart subscribers to Calderonia since 30 July 2014, or casual callers from across the globe to posts on, say, limericks, John Hamilton, paradoxes, the Third Battle of Krithia, dogs or Lady Chatterley’s Lover, I wish you a … Continue reading →

Posted in Personal commentary | Tagged archbishops of Canterbury, BASEES Conference, biographies, biography, blog announcement, Book of Revelation, Calderonia, chrysanthemums, comments, freesias, freshness, George Calderon, George Calderon: Edwardian Genius, King Lear, Kittie Calderon, Michael Ramsay, New Year, newness, oldness, Osip Mandel'shtam, publishers, Rowan Williams, Russia, Sam&Sam, sermons, Ukraine, William Shakespeare | Leave a comment

From the diary of a writer-publisher: 26

Posted on December 5, 2023 by Patrick Miles

7 November 2023 Ukraine must win. There is no alternative, because Putin will never offer a true peace, only a breather before making another attempt to destroy Ukraine as a sovereign state then torture, murder, deport and imprison its people. … Continue reading →

Posted in Edwardian character, Heroism and Adventure, Personal commentary | Tagged Alexander Lukashenka, Anton Chekhov, Berkers, Brest, Cambridge Young Chekhov Company, comments, Crocs, Crox, dedicatees, Donald Trump, Edinburgh, Fathers and Children, Garry Kasparov, gene pools, George Calderon, glasnost', Gothic, Ivan Turgenev, Jane Austen, Jonathan Routh, Kaliningrad, Matt Dimmick, NATO, Nicolson Square, old age, Olga Knipper-Chekhova, pavements, perestroika, Remembrance Sunday, Rob Roy, rubber bands, Russia, Scotland, Scott Monument, Scottish Rationalism, shop girls, short stories, Stephan Roman, Taiwan, The Great War, Ukraine, USA, Ventnor, Vladimir Putin, Volodymr Zelensky, Walter Scott, Wilfred Owen, World War I, Xi Jinping | Leave a comment

Guest post by John Pym: Henry James’s ‘The Death of the Lion’

Posted on May 1, 2023 by Patrick Miles

An unnamed young Englishman, a lowly journalist with literary ambition, begins to tell a story (cast in the form of ‘meagre’ private notes): the author Neil Paraday is recuperating at home in the country from a grave illness; he’s published … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Modern parallels, Personal commentary | Tagged 'Terminations', 'The Altar of the Dead', 'The Death of the Lion', comments, commissioning editors, Frank Harris, gender, George Calderon, gossip columnists, Henry James, I. Zangwill, John Pym, journalism, Kittie Calderon, Leon Edel, literary hostesses, literary life, literary salons, literature, magazines, manuscripts, Neil Paraday, Peety, Phil May, pseudonyms, Scribner's Magazine, short stories, The Tatler, The Yellow Book, William Heinemann | 2 Comments

Guest post by Jim Miles: Call My Agent!

Posted on March 27, 2023 by Patrick Miles

One of my jobs is teaching English at a language school in Cambridge. I have students varying in age from teenagers right up to retired adults, and from countries all over the world. This makes the work very interesting but … Continue reading →

Posted in Personal commentary | Tagged acting agencies, bobo, Call My Agent, Camille Cottin, comments, Dix pour cent, Dominique Besnehard, France, guest posts, hipster, IELTS, James Miles, Juliette Binoche, language teaching, Netflix, Paris, scooters, Sigourney Weaver, subtitles, translation | 4 Comments

From the diary of a writer-publisher: 22

Posted on March 20, 2023 by Patrick Miles

24 February 2023 A recent study made by a reliable Moscow source indicates that 22% of the Russians polled were fervently in favour of the war on Ukraine, 20% were deeply opposed to it, and the rest (58%) ‘had no … Continue reading →

Posted in Edwardian character, Personal commentary | Tagged acting agencies, Alexander Pushkin, Alexandra Cann, autocracy, ballet, Ballets Russes, biographies, books, Boris Godunov, Call My Agent, Callimachus, comments, democracy, Dix pour cent, France, freedom, Friedrich Nietzsche, George Balanchine, George Calderon: Edwardian Genius, Granta Publishing, independent publishing, James Miles, Jennifer Homans, Lincoln Kirstein, literary agents, Michel Fokine, Moscow, Nadezhda Mandel'shtam, New York City Ballet, opinion polls, responsibility, Russia, Sam&Sam, School of American Ballet, theatre agents, theosophy, Ukraine, Vladimir Soloviev, Volodymyr Zelensky, William Rothenstein | Leave a comment

From the diary of a writer-publisher: 21

Posted on February 6, 2023 by Patrick Miles

7 January Almost themed, one could say, in Calderonia, Cambridge academic Ruth Scurr has written a meaty review in today’s Spectator of Claire Harman’s experiment in biography All Sorts of Lives: Katherine Mansfield and the Art of Risking Everything. Anyone who writes … Continue reading →

Posted in Edwardian literature, Personal commentary | Tagged Alexander Vampilov, Anton Chekhov, armaments, baseline studies, biodiversity, biographies, biography, birds, Bottengoms Fram, butterflies, Calderonia, Cambridge, Cambridge City Council, Cambridge Theatre Company, Church of England, Church Times, Claire Harman, claustrophobia, Clays of Bungay, comments, conservation, cyber warfare, death, ecosystems, entrapment, Erich Ludendorff, Francis Kilvert, funerals, General Douglas Haig, General Foch, ghosts, hackers, Henry Vaughan, Ice Cold in Alex, James Miles, John Constable, Katherine Mansfield, last, Last Summer in Chulimsk, Next to Nature, paranoia, Peter Hall, Ronald Blythe, Russia, Ruth Scurr, Sam&Sam, security certificates, servers, short stories, Siberia, Spring Offensive 1918, Suffolk, Sylvia Syms, T.S. Eliot, The Great War, The Spectator, The Times, The Web, Tree Belt, Ukraine, Victim, wildlife, wildlife corridors, wildlife havens, World War I | Leave a comment

Guest post by Damian Grant: ‘Radio Scotland’

Posted on January 23, 2023 by Patrick Miles

We live in France. In Lille, where the language is French. About a year ago — not knowing anything about the animal — I bought a HomePod online. I had thought it was just a superior (and very stylish) kind … Continue reading →

Posted in Personal commentary | Tagged BBC Radio 3, BBC Radio Scotland, Brexit, chaos theory, classical music, cleaning ladies, comments, Damian Grant, Felix Mendelssohn, Fingal's Cave, France, grandchildren, HomePod, IT, Lille, Madeleine Grant, nursery rhymes, Petroc Trelawney, Scottish Independence, Siri, technology, waste paper baskets | 2 Comments

A year of hope

Posted on January 1, 2023 by Patrick Miles

A happy new year to subscribers and viewers, and thank you sincerely for following us through our ninth year of existence. The question of Calderonia’s future is always in my mind, but I can assure you we shall continue at … Continue reading →

Posted in Heroism and Adventure, Personal commentary | Tagged A Message from Ukraine, BASEES, BASEES Conference, Boris Johnson, Bucha, Cambridge, comments, courage, despair, Dnepro, Elon Musk, hope, Joe Biden, Justin Welby, Kiev, Kyiv, New Year messages, pandemics, Russia, Sam&Sam, the pandemic, Ukraine, Vladimir Putin, Volodymyr Zelensky | Leave a comment

Christmas in Moscow, 1969

Posted on December 21, 2022 by Patrick Miles

Leningrad, … Continue reading →

Posted in Personal commentary | Tagged ballet, biographies, biography, Bolshoi Theatre, British Embassy, Brussels sprouts, caviar, Christmas, Christmas Day, comments, coq au vin, George Calderon, Gorki Park, hoarfrost, Leningrad, Maya Plisetskaya, Moscow, Moscow University, Odette, Patrick Miles, prima ballerina assoluta, rime, Russia, skating, Swan Lake | 1 Comment

Mending into…

Posted on December 7, 2022 by Patrick Miles

In my mind’s eye, I can see George Calderon opening this book and chuckling with delight — not just because it was written (and gorgeously illustrated) by a great-granddaughter of his close friend ‘Evey’ Pym, but because it exemplifies something … Continue reading →

Posted in Personal commentary | Tagged anatomy, Bill Smith, biographies, Celia Pym, chaotic systems, Charles Evelyn Pym, comments, Elizabeth Pym, Evey Pym, evil eye, Fair Isle, George Calderon, Hope Pym, Jim Ivory, Judy Auerbach, jumpers, Kazimir Malevich, knitting, Lara Veitch, Lolu Oluwole-Ojo, mending, Monte Carlo Opera House, moth infestations, murmurations, Piet Mondrian, Pseuds Corner, pullovers, Roland Pym, silk, snowflakes, Suprematism, sweaters, teazles, Treasures from a Ragpile, Victoria & Albert Museum, Vivien Leigh, Women's Home Industries, Wool | 1 Comment

From the diary of a writer-publisher: 19

Posted on November 28, 2022 by Patrick Miles

4 November On its back page, the voluminous weekly DIE ZEIT, which I still think is the best newspaper in Europe, always carries a large photograph of an animal looking at the camera with a distinctive expression, and the caption … Continue reading →

Posted in Personal commentary | Tagged Adolf Hitler, Alexander Korotko, China, choughs, chrysanthemums, comments, Die Zeit, Edward Lear, emeritus professors, Georg Trakl, haiku, images, Iona, Islay, Kherson, malt whisky, Mexico, Osip Mandel'shtam, peace conferences, professors, Russo-Ukrainian War, soap, soapstone, Sudetenland, Ukraine, Vladimir Putin, Volodymyr Zelensky, war poems, war poetry, whiskies, Winston Churchill | 3 Comments

Was there an ‘Edwardian Age’, and was it ‘great’?

Posted on November 14, 2022 by Patrick Miles

When I began to read George and Kittie Calderon’s archive for my biography of them both, I little thought I would be drawn deeper and deeper into the question of ‘Edwardianism’. Yet I instantly felt as I read George’s letters … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary | Tagged Adrian Gregory, Alison Miles, Bertrand Russell, Carolean Age, Charles III, chauvinism, comments, culturonomics, D.H. Lawrence, Damian Grant, Dardanelles, Diana Princess of Wales, Edward VII, Edwardianism, Elizabeth I, Elizabeth II, Ephraim Parker Oakes, Gallipoli, George Calderon, George Calderon: Edwardian Genius, George VI, Georgian Age, H.G. Wells, Henry James, John Pym, Kittie Calderon, Laurence Brockliss, Maria Page, Mesopotamia, New Elizabethan Age, Oliver Moody, Peter Brent, PTSD, Queen Victoria, Robert Baden-Powell, The Great War, Tony Blair, Trinity College Oxford, William Page, World War I, Ypres | 2 Comments

Henry James: Edwardian writer par excellence?

Posted on October 17, 2022 by Patrick Miles

No series of posts about the ‘Edwardian Era’ would be complete without a reference to Henry James, often regarded as its greatest novelist. I have always admired his short stories. I have read ‘Daisy Miller’ every few years since 1974 … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary | Tagged A Room with a View, Acton Reynald, affluence, Ann Veronica, Anton Chekhov, Battle of the Somme, Cambridge Daily News, Coal Strike 1912, comments, conscience, Daisy Miller, Dardanelles, dialogue, E.M. Forster, ethics, F.R. Leavis, Gallipoli, George Calderon, George Calderon: Edwardian Genius, H.G. Wells, Henry James, human body, Joseph Conrad, journalism, Kittie Calderon, Lady Corbet, Lady with a Little Dog, Laurence Brockliss, loquaciousness, mobility, morality, Mudie's Library, Nina Corbet, novels, psychology, renunciation, sex life, short stories, Tahiti, The Ambassadors, The Edwardian Era, The Edwardians, The Great War, The Lady with the Little Dog, The Wings of the Dove, travel, What Maisie Knew, World War I | 2 Comments

George Calderon’s New Drama

Posted on September 5, 2022 by Patrick Miles

Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Personal commentary | Tagged Anton Chekhov, biographies, biography, comments, Constance Garnett, Dardanelles, Gallipoli, George Bernard Shaw, George Calderon, George Calderon: Edwardian Genius, Glasgow Repertory Theatre, Granville Barker, John Galsworthy, Khodynka Disaster, Khodynka Field, Kittie Calderon, New Drama, Oxford, Oxford Playhouse, Pedro Calderón de la Barca, politics, Russia, St John Hankin, Tahiti, The Cherry Orchard, The Fountain, The Great War, The Seagull, Third Battle of Krithia, William Shakespeare, World War I | Leave a comment

Mayakovsky’s pancake

Posted on August 15, 2022 by Patrick Miles

It may seem surprising that I can bring myself to say anything positive about Russians at a time when their country has become, to quote Joseph Conrad again, ‘the negation of everything worth living for’. But, of course, these four … Continue reading →