Tag Archives: biographies

Cogitations of an indexer

A profound thank you to all who commented or emailed me about the illustrations to my biography. Nearly everyone expressed a preference for having them in the text as close as possible to their mention, so that is what I … Continue reading

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Progress

It is now a month since I fired the starting-pistol for publishing George Calderon: Edwardian Genius myself on 4 June 2018. Every writer I know assured me we could bring the book out in six months…but what they didn’t tell me … Continue reading

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Attempting to not-bore for England about limericks

I must apologise to all subscribers for their having received notification last week of a blog post that had no text in it! This was the result of human error, aka Aussie Flu. Unfortunately, when I did write the text … Continue reading

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So what IS biography?

I began the pre-typesetting read of my book — all 183,000 words of it — a fortnight ago, and immediately relived the never-ending malarkey with the Introduction… Even this late in the day I found myself tweaking the opening paragraph … Continue reading

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Some notes on orthodoxy

A very happy New Year to all Calderonia’s subscribers, followers, and casual viewers! (If you are one of the latter, please consider subscribing top right.) This is ‘the year’… Following an almost complete absence of response to my last reminders … Continue reading

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Own a commemorative masterpiece

I first wrote about the above book on 10 February 2016 . I suggest going now to http://www.groupphoto.co.uk/the-book for Andrew Tatham’s own description of it and how it came about. As you will see, it has been praised to the skies by communicators … Continue reading

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The ‘politics’ of publication

I bought the above postcard on impulse in about 1975, thinking: ‘That’s hilarious! It would be difficult to take serious offence at receiving it, yet the message is unmistakable! I’m bound to need one of those some day…’ And I … Continue reading

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Alan Coren touches root

Giles and Victoria Coren have done a magnificent job in selecting and presenting these 420 pages of their late father’s writings 1960-2007, very many of which are masterpieces. I hope they will not mind me invoking paragraph 8.7, sub-section a(ii), … Continue reading

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Russia (concluded)

A hundred years ago today Red Guards began occupying key installations in St Petersburg. By early tomorrow morning the Winter Palace had been infiltrated and the Provisional Government arrested. The Bolsheviks, a party of fanatical, fascistic Utopians, subsequently seized power … Continue reading

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Russia (continued)

Chapter four of my biography, ‘Who Had He Been?’, relates amongst other things what George did in Russia between 12 October 1895 and the summer of 1897. I think it will be a revelation to a lot of people. It … Continue reading

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Is a dog literally…forever?

An alternative title to this post would be: ‘Why are there no cats’ cemeteries?’ Three weekends running we have visited local stately homes that were inhabited in the Edwardian period, and each of them had a Pets Cemetery in its … Continue reading

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Enough (43) is enough!

Researching publishers and editors in depth, honing letters and email proposals to them, assembling different forms of synopsis and samples, dealing with the comeback (or lack of), and negotiating with publishers over the past nine months, has been hard work. … Continue reading

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Edwardian love, sex and the ‘T’other’

The Writers’ & Artists’ Yearbook 2017 is undoubtedly right to intone the mantra ‘edit, review, revise and then edit again’, but when you have read your 420-page typescript as many times as I have in the last six months, and made over … Continue reading

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A P.S. to paradox

After the flights of fancy of my previous post, I ought to make it clear that what really interests me about paradox is (1) why were Edwardian writers, particularly George Calderon, so mad on it, (2) is it yet another … Continue reading

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A not-paradox, a not-paradox, a most ingenuous not-paradox

In my post of 8 October 2016 I discussed George Calderon’s love of paradox and suggested that the ‘self-referential’ paradoxes in his plays might have been influenced by his following ‘developments in set theory in the 1900s, as he was an … Continue reading

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Whoosh and bang!

A correspondent reminds me that on 7 July I wrote: Since the last approach I made to any of the 31 publishers on my A list was 1 June, I am inclined to think I should wait until at least … Continue reading

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