Tag Archives: Anton Chekhov

From the diary of a writer-publisher: 27

Posted on February 5, 2024 by Patrick Miles

16 January 2024 I translated a few poems as a teenager and student (Rilke, Brecht, Hölderlin, Pushkin, Tiutchev, Mayakovsky, Yevtushenko, Brodsky), but bothered to see only a couple published. The fact was, I didn’t take verse translation very seriously. I … Continue reading →

Posted in Personal commentary | Tagged afterlife, Alcaic metre, Alexander Pushkin, Anton Chekhov, appeasement, BASEES Conference, Belarus, Belorussia, Bertolt Brecht, Brest, British Rail, Christian era, death, Diotima, Estonia, Fedor Tiutchev, Flavinus Stone, Friedrich Hölderlin, Henry Vaughan, Hexham, Hexham Abbey, Joseph Brodsky, Jürgen-Joachim von Sandrart, Kaliningrad, Latvia, Leonid Brezhnev, Lithuania, memorials, Munich Agreement, NATO, Old Cambridge Tales, poetry, pronunciation, Rainer Maria Rilke, Rightmove, Russia, Sam&Sam, security messages, St Wilfrid, Susette Gontard, Suwalki Gap, train travel, translation, Ukraine, Vladimir Mayakovsky, Vladimir Putin, Winston Churchill, Yevgeny Yevtushenko | Leave a comment

From the diary of a writer-publisher: 26

Posted on December 5, 2023 by Patrick Miles

7 November 2023 Ukraine must win. There is no alternative, because Putin will never offer a true peace, only a breather before making another attempt to destroy Ukraine as a sovereign state then torture, murder, deport and imprison its people. … Continue reading →

Posted in Edwardian character, Heroism and Adventure, Personal commentary | Tagged Alexander Lukashenka, Anton Chekhov, Berkers, Brest, Cambridge Young Chekhov Company, comments, Crocs, Crox, dedicatees, Donald Trump, Edinburgh, Fathers and Children, Garry Kasparov, gene pools, George Calderon, glasnost', Gothic, Ivan Turgenev, Jane Austen, Jonathan Routh, Kaliningrad, Matt Dimmick, NATO, Nicolson Square, old age, Olga Knipper-Chekhova, pavements, perestroika, Remembrance Sunday, Rob Roy, rubber bands, Russia, Scotland, Scott Monument, Scottish Rationalism, shop girls, short stories, Stephan Roman, Taiwan, The Great War, Ukraine, USA, Ventnor, Vladimir Putin, Volodymr Zelensky, Walter Scott, Wilfred Owen, World War I, Xi Jinping | Leave a comment

From the diary of a writer-publisher: 25

Posted on October 16, 2023 by Patrick Miles

27 September 2023 There can be no surer sign of age than picking up litter on the way to buy the daily newspaper… I have done this for the last four mornings, including a banana skin. 2 October I have … Continue reading →

Posted in Personal commentary | Tagged Adolf Hitler, Alexander Pushkin, Angela Merkel, Anton Chekhov, bananas, BASEES Conference, biographies, C.F. Clay, Cambridge University Press, chrestomathies, Clays of Bungay, Death of a Poet, English literature, Finland, First Love, George Calderon, Greater Russia, John Clay, Kittie Calderon, literary criticism, litter, Mikhail Lermontov, New York Times, newspapers, Percy Lubbock, poetry, prosody, readers, Richard Clay II, Russian Empire, Sauli Niinisto, short stories, To the Slanderers of Russia, Very Early Cambridge Tales, Vladimir Putin | Leave a comment

The magnificent Mary Ann

Posted on August 14, 2023 by Patrick Miles

Long-term followers of Calderonia will recall that I had always had a theory that the person who taught George to speak Russian credibly before he set out for St Petersburg in 1895 was a ‘Mrs Shapter’, but in my biography … Continue reading →

Posted in Uncategorized | Tagged Alexander I, Andrew Jones, Anton Chekhov, biographies, biography, Camille Silvy, Clara Calderon, Constance Garnett, Evan Hodgson, Exeter, Francke family, George Calderon, George Calderon: Edwardian Genius, Glasgow Repertory Theatre, Harry Leeke Gibbs, Harvey Pitcher, John Hodgson, John Shapter, Kittie Calderon, Laurence Binyon, Manya Guseva, Mary Ann Shapter, Mary Gibbs Shapter, Michael Pursglove, Mrs Shapter, Museum of the Home, National Portrait Gallery, Nicholas I, Olga Novikoff, oracy, P.H. Calderon, Russia, Sally Jones, silver, sketchbooks, St John's Wood Clique, St Petersburg, The Seagull, The Smiths of Moscow, theatre, Thomas Shapter, toddy ladle, Whishaw family, Yeames family | 2 Comments

Guest post by Harvey Pitcher: Melikhovo 2004

Posted on July 15, 2023 by Patrick Miles

This recollection goes back almost twenty years, but it does not seem that long ago. As I grow older, time does not slow down, as one might expect, but races away at an alarming rate. Chekhov had died in 1904 … Continue reading →

Posted in Uncategorized | Tagged Anglo-Russian cultural relations, Anton Chekhov, Badenweiler, centenaries, death, Dr Schwörer, Leo Rabeneck, Melikhovo, Olga Knipper-Chekhova, Russia, Soviet Union, The Times Literary Supplement, TLS, Vladimir Kataev | 1 Comment

From the diary of a writer-publisher: 23

Posted on June 19, 2023 by Patrick Miles

16 May 2023 The suspense about the Ukrainian ‘counter-offensive’ is terrible. I hope it will last. It winds the Russians up and keeps them guessing. Moreover, except at Bakhmut, Russian forces have been in deep defensive positions for months now, … Continue reading →

Posted in Personal commentary | Tagged Anton Chekhov, Badenweiler, Bakhmut, Brexit, butterflies, conceptual photography, conservation, counter offensive, Crimea, Dr Schwörer, Duke of Burgundy Fritillary, fakes, Kyiv, Lavrentii Beria, Le Monde Diplomatique, Leo Rabeneck, military defeat, Moskovskii Komsomolets, newspapers, Olga Knipper-Chekhova, photographs, Pinterest, Queen of Spain Fritillary, Riodinidae, Russian Army, The Lake District, Ukraine, Vladimir Putin, W.H. Smith, Zaporizhzhia | 1 Comment

From the diary of a writer-publisher: 21

Posted on February 6, 2023 by Patrick Miles

7 January Almost themed, one could say, in Calderonia, Cambridge academic Ruth Scurr has written a meaty review in today’s Spectator of Claire Harman’s experiment in biography All Sorts of Lives: Katherine Mansfield and the Art of Risking Everything. Anyone who writes … Continue reading →

Posted in Edwardian literature, Personal commentary | Tagged Alexander Vampilov, Anton Chekhov, armaments, baseline studies, biodiversity, biographies, biography, birds, Bottengoms Fram, butterflies, Calderonia, Cambridge, Cambridge City Council, Cambridge Theatre Company, Church of England, Church Times, Claire Harman, claustrophobia, Clays of Bungay, comments, conservation, cyber warfare, death, ecosystems, entrapment, Erich Ludendorff, Francis Kilvert, funerals, General Douglas Haig, General Foch, ghosts, hackers, Henry Vaughan, Ice Cold in Alex, James Miles, John Constable, Katherine Mansfield, last, Last Summer in Chulimsk, Next to Nature, paranoia, Peter Hall, Ronald Blythe, Russia, Ruth Scurr, Sam&Sam, security certificates, servers, short stories, Siberia, Spring Offensive 1918, Suffolk, Sylvia Syms, T.S. Eliot, The Great War, The Spectator, The Times, The Web, Tree Belt, Ukraine, Victim, wildlife, wildlife corridors, wildlife havens, World War I | Leave a comment

Henry James: Edwardian writer par excellence?

Posted on October 17, 2022 by Patrick Miles

No series of posts about the ‘Edwardian Era’ would be complete without a reference to Henry James, often regarded as its greatest novelist. I have always admired his short stories. I have read ‘Daisy Miller’ every few years since 1974 … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary | Tagged A Room with a View, Acton Reynald, affluence, Ann Veronica, Anton Chekhov, Battle of the Somme, Cambridge Daily News, Coal Strike 1912, comments, conscience, Daisy Miller, Dardanelles, dialogue, E.M. Forster, ethics, F.R. Leavis, Gallipoli, George Calderon, George Calderon: Edwardian Genius, H.G. Wells, Henry James, human body, Joseph Conrad, journalism, Kittie Calderon, Lady Corbet, Lady with a Little Dog, Laurence Brockliss, loquaciousness, mobility, morality, Mudie's Library, Nina Corbet, novels, psychology, renunciation, sex life, short stories, Tahiti, The Ambassadors, The Edwardian Era, The Edwardians, The Great War, The Lady with the Little Dog, The Wings of the Dove, travel, What Maisie Knew, World War I | 2 Comments

George Calderon’s New Drama

Posted on September 5, 2022 by Patrick Miles

Naturally, my foray into short videos had to end with one about George. I suddenly thought that although the contribution of his own plays to Edwardian ‘New Drama’ is now largely forgotten, one could claim that Chekhov’s plays, which he … Continue reading →

Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Heroism and Adventure, Personal commentary | Tagged Anton Chekhov, biographies, biography, comments, Constance Garnett, Dardanelles, Gallipoli, George Bernard Shaw, George Calderon, George Calderon: Edwardian Genius, Glasgow Repertory Theatre, Granville Barker, John Galsworthy, Khodynka Disaster, Khodynka Field, Kittie Calderon, New Drama, Oxford, Oxford Playhouse, Pedro Calderón de la Barca, politics, Russia, St John Hankin, Tahiti, The Cherry Orchard, The Fountain, The Great War, The Seagull, Third Battle of Krithia, William Shakespeare, World War I | Leave a comment

Mayakovsky’s pancake

Posted on August 15, 2022 by Patrick Miles

It may seem surprising that I can bring myself to say anything positive about Russians at a time when their country has become, to quote Joseph Conrad again, ‘the negation of everything worth living for’. But, of course, these four … Continue reading →

Posted in Personal commentary | Tagged Aleksei Suvorin, Alfred Dreyfus, anecdotes, Anton Chekhov, Anton Chekhov: A Short Life, biographies, comments, Dreyfus Affair, Lev Trotsky, literary anecdotes, Literature and Revolution, love, love at first sight, Mikhail Pavlovich Chekhov, Narkom, pancakes, parallel lines, People's Commissar, proverbs, Shrove Tuesday, Shrovetide, steppe, Vladimir Mayakovsky | Leave a comment

‘Chekhov’s Gun’ (Concluded)

Posted on July 25, 2022 by Patrick Miles

In this concluding video on the subject of Chekhov’s Gun, I give a thumbnail sketch of its application in his own plays from Ivanov (1887) to The Cherry Orchard (1904). Since the phrase is so popular (yes, really, I have … Continue reading →

Posted in Modern parallels, Personal commentary | Tagged Anton Chekhov, bee-brooch, biographies, biography, breaking string, chaos theory, Chekhov's Gun, Chekhovian, comments, commercial theatre, contingency, cucumber, fortuitousness, galoshes, Ivanov, MacGuffin, The Cherry Orchard, The Seagull, The Wood Demon, Three Sisters, Uncle Vanya | 1 Comment

The Isle of Wight Entente of 1909

Posted on July 18, 2022 by Patrick Miles

If there is one book that I wish I had been able to read when I was researching my biography of George Calderon, it is the one above, published last year. A quarter of it (pp. 231-336) deals with the … Continue reading →

Posted in Edwardian character, Modern parallels, Personal commentary | Tagged Alfred Wareing, Alix of Hesse, Anglo-British relations, Anton Chekhov, Arthur Hendesron, biographies, Britain and the Isle of Wight, Cheka, comments, Deptford, Edward VII, Ekaterinburg, George Calderon, George Calderon: Edwardian Genius, Glasgow Repertory Theatre, H.H. Asquith, holiday reading, Isle and Empires: Romanov Russia, Isle of Wight, Nicholas II, Osborne House, Peter the Great, Prince Albert, Queen Victoria, Romania, Russo-British relations, Sir Edward Grey, Spithead, Stephan Roman, stratsoterptsy, The Great War, The Seagull, Triple Entente, William Gerhardie, World War I | Leave a comment

‘Chekhov’s Gun’ (To be continued)

Posted on July 11, 2022 by Patrick Miles

Sam2 has persuaded me to make four short videos about my recently published short biography of Chekhov and my ra-ther longer 2018 biography of George Calderon. I am completely new to the genre, therefore you should not expect a slick … Continue reading →

Posted in Uncategorized | Tagged Anton Chekhov, Anton Chekhov: A Short Life, biographies, biography, Chekhov's Gun, comments, dramatic principles, George Calderon, George Calderon: Edwardian Genius, Ivanov, Moscow Art Theatre, Moscow Arts, Sam2, The Seagull, videos, Vladimir Ivanovich Nemirovich-Danchenko, Wikipedia | Leave a comment

A writer-publisher’s Ukrainian diary: 3

Posted on April 23, 2022 by Patrick Miles

11 April 2022 Whilst coming back from the shop with today’s newspaper, I could see a neighbour on the other side of the street who was born at the gates of Mauthausen concentration camp six days before it was liberated … Continue reading →

Posted in Uncategorized | Tagged 'The Steppe', Anton Chekhov, appeasement, Bellingcat, Bletchley, Cambridge, Crimea, Czechoslovakia, Dnipro, Donbas, Donetsk, FSB, KGB, Mauthausen, Max Hastings, morale, NATO, Nazi Germany, Polonia, Russia, Sergei Beseda, Simferopol, steppeland, tank battles, The Times, Ukraine, Vladimir Putin, Volodymyr Zelensky, Yalta, Yasinovataya, Zhdanov | 4 Comments

A writer-publisher’s Ukrainian diary: 2

Posted on April 11, 2022 by Patrick Miles

5 April 2022 When I contemplated the image from Kyiv that I posted last week, as well as Bruegel I thought of Isaac Babel’s stories Red Cavalry about the Russo-Polish War of 1919-21. Some of that war took place in … Continue reading →

Posted in Personal commentary | Tagged 'The Prince', Aleksandr Lukashenko, Andrew Tatham, Anton Chekhov, atrocities, Babi Yar, Babyn Yar Holocaust Memorial Centre, Belarus, Belorussia, Bucha, Chris Deverell, comments, Crimea, David McDuff, Donald Trump, Donbas, EU, Fiona Hill, Georg Trakl, Isaac Babel, Joe Biden, Kyiv, L'viv, Mariupol, Military Intelligence, NATO, Nazis, Niccolo Machiavelli, Pieter Bruegel the Elder, Red Cavalry, The Times, Ukraine, Vladimir Putin, weapons, World War I, Zbrucz | Leave a comment

From the diary of a writer-publisher: 17

Posted on March 14, 2022 by Patrick Miles

24 January 2022 I have received several emails commiserating with me over my ‘anxiety’ and ‘nightmares’ about marking examination papers. The writers clearly assume I am Dr Robinson in my story Ghoune — that the story is strictly autobiographical and … Continue reading →