Monthly Archives: September 2016

Guest post: Alison Miles, ‘Living with George and Kittie since the mid-1980s’

When I first heard about George Calderon it was the mid-1980s and my time was mainly taken up with small children. However I realised that something big was starting when Patrick went to Scotland to visit an attic full of … Continue reading

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‘Things are still coming up’

The rather shaken and stirred papers of George and Kittie Calderon were finally married and chronologically sorted five years ago, and the surviving 247 books of their library were carefully flipped through revealing fascinating photographs, visiting cards, notes and even … Continue reading

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‘Edwardian bastards’ — a personal note

Periodically I have to remind myself that in the 1950s I met plenty of Edwardians, in the sense of people whose character and values were formed in the longer Edwardian period of 1897-1916 and who were thought of as being … Continue reading

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Intemperance and ‘Heroism’

On 30 August 1920, Kittie received through the post the first draft of Laurence Binyon’s ode to George’s memory, see https://www.poetryfoundation.org/poems-and-poets/poems/detail/57345 . She was at Constance Sutton’s Tudor home in Herefordshire, Brinsop Court, and wrote to Binyon next day that she had … Continue reading

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The Nastiness Factor

I have ‘worked with’ the Edwardians, so to speak, for a while now. I feel that if I were dropped into London society around 1905 I would know my bearings and could hold my own. There is much that, having … Continue reading

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Afterword ‘spoilers’?

Veteran followers of this blog will know that my estimates of how long it is going to take to complete any given piece of writing connected with my biography of George and Kittie Calderon are usually out by a factor … Continue reading

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Kittie absolved, Lydia looks in

I received my copy of the second edition of George’s Two Plays by Tchekhof from a distinguished bookseller in Cumbria, and promptly set about comparing its Introduction with that of both the first edition and the Chekhov volume edited by Kittie … Continue reading

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‘Yes, but — ‘

The reason I suspected it was Kittie who changed George’s words about the meaning of life at the end of his Chekhov Introduction when she edited his selected works, was that she could rarely resist expressing her own views on … Continue reading

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