Captain of the 11
George Calderon c.1901
Unpublished watercolour by George Calderon, Tahiti 1906
Colonel Sir Walter Coote Hedley c. 1920
Christmas 1901 Cartoon by George Calderon
Monarch Butterfly Madeira
The entrance to Fort Brockhurst (picture from Britain’s Past)
K.N. Das Gupta and Margaret Mitchell in an Indian Dramatic Society production of The Maharani of Arakan, 1913?
Book sent to George Calderon in Russia by his mother, Christmas 1895.
Sir Richard Vincent Sutton c. 1913
George and Kittie Calderon 1905
Jean Ryckaert, May 1916.
A happy memory of Trinity College: undergraduates breakfast together in Downy V. Green, p. 77.
Basic form of the Calderon coat of arms
Patrick Miles in his summer house, 11 December 2016
Michel and Vera Fokine in “Scheherazade”, 1914 (The Music And Theatre Library of Sweden, creative commons)
Frontis piece by Frank Calderon
George Calderon, 1912
Figure from Gauguin’s 1899 painting ‘Tahitian Women with Mango Blossoms’ (left); George Calderon’s pencil sketch ‘Manu’ (right)Recent Comments
- Jim D G Miles on From the diary of a writer-publisher: 28 Excellent entry, Dad. I like the escape room picture, of course, but the story about the Russian and the hole-in-the-wall is exceptional! (28/03/2024 at 9:58 PM)
- Patrick Miles on Short story: ‘Crox’ Thank you, dear anonymous Theo...it is so refreshing to hear the reaction of a Man of the People! Keep a good grip on those cords! 'Part II'?! The rest is secreted in lines (18/12/2023 at 10:33 PM)
- Theo on Short story: ‘Crox’ Delicious! "Are you being Served?" meets "Keeping up Appearances" via Calderotica. But Patrick, you cannot leave us dangling like that just before Christmas! One thing - c (18/12/2023 at 1:35 PM)
- Patrick Miles on Cambridge Tales 8: ‘Black Tie’ Thank you, Damian, for sharing your problem with us. It's difficult to know what to prescribe. Perhaps try examining the facts of the story (e.g. there are not 6 medics in the (20/11/2023 at 9:44 AM)
- Damian Grant on Cambridge Tales 8: ‘Black Tie’ Patrick: I read your story 'Black Tie' on Monday, and knew immediately that it didn't work for me. There was something forced, factitious; something that didn't let the elemen (17/11/2023 at 2:26 PM)
Category Archives: Edwardian character
A new photograph of George Calderon
Whilst sorting his family papers, Mr John Pym recently found the photograph below, which undoubtedly shows George Calderon on the right. It is a contact print of a photograph, obviously not in sharp focus, which Mr Pym and I believe … Continue reading
Posted in Edwardian character, Edwardian literature, Personal commentary
Tagged biographies, biography, boaters, Catherine Lubbock, Charles Evelyn Pym, comments, Emmetts, Evey Pym, Foxwold, George Calderon, George Calderon: Edwardian Genius, Harvard University, Houghton Library, identification, Jane Hannah Backhouse Pym, Jim Corbet, John Pym, Johnnie Pym, Kittie Calderon, Lubbock family, Massachusetts, Nina Corbet, Violet Pym, visitors books, Weigh-in Book
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Guest post by Damian Grant: ‘Lady Chatterley’s Lover’ and ‘The Winter’s Tale’
This nineteenth-century engraving of Florizel and Perdita does indeed make them look — to use Lady Chatterley/Connie’s dismissive phrase about the Elizabethans — somewhat ‘upholstered’. In all the excitement — which has never quite subsided — about the sexual explicitness … Continue reading
Posted in Edwardian character, Edwardian marriage, Heroism and Adventure, Personal commentary
Tagged 'Snake', Algernon Swinburne, Byzantium, Charles Baudelaire, comments, Constance Reid, D.H. Lawrence, Florizel, Forest of Arden, George Eliot, High Park Wood, John James Audubon, John Keats, John Milton, Juno, Lady Chatterley, Lady Chatterley's Lover, Mary Russell Mitford, Michaelis, Mrs Bolton, Mrs Gaskell, Oliver Mellors, Perdita, Proserpina, Samuel Taylor Coleridge, sex, sexuality, Sir Clifford Chatterley, T.S. Eliot, The Elizabethans, The Great War, The Winter's Tale, W.B. Yeats, wild flowers, William Shakespeare, World War I, Wragby
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Some Calderonian footnotes to ‘Women in Love’
George Calderon was public-school, Oxford, backed by his wife’s unearned income, rather patriotic, perceived as conservative; D.H. Lawrence was a miner’s son, self-supporting and often penurious, rather oikophobic, perceived as revolutionary. What could they possibly have had in common? They … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Heroism and Adventure, Modern parallels, Personal commentary
Tagged Anton Chekhov, Battle of the Somme, Breadalby, Catherine Brown, Centre Party, comments, Constance Garnett, D.H. Lawrence, Dwala, elopement, English Review, Ernest Weekley, Fanny Stepniak, Far End, Fathers and Sons, Ford Hueffer, Ford Madox Ford, Frieda Lawrence, Frieda Weekley, Garsington, George Calderon, George Calderon: Edwardian Genius, Hampstead, Ivan Turgenev, John Worthen, Kittie Calderon, polymathery, revolution, The Edwardians, The Great War, Thomas Sturge Moore, translation, Trinity College Oxford, Well Walk, William Rothenstein, Women in Love, World War I
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Guest post by Laurence Brockliss: The Historian, Middle-Class Marriage, and ‘Women in Love’
I have always been puzzled by Tolstoy’s apodictic statement about happy and unhappy marriages at the beginning of Anna Karenina. How on earth did he know? Even today when the state and the media have penetrated deeply into our private … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Agnes Gladstone, Ancestry.com, Anna Karenina, Arnold Bennett, Bensons, Brighton, Clayhanger, Colin Firth, D.H. Lawrence, Edward Charles Wickham, Edward Talbot, Edward White Benson, F.R. Leavis, Frieda von Richthofen, George Eliot, Henryck Wieniawski, Isabella Wieniawska, Jane Austen, Janet Catherine North, Jennifer Ehle, John Addington Symonds, Lady Chatterley's Lover, Laurence Brockliss, Leo Tolstoy, Lev Tolstoi, Lucy Trotman, marriage, Middlemarch, novels, Oxford, Pride and Prejudice, prosopographical studies, Robert Cooper Lee Bevan, Samuel Fiennes, Simon Goldhill, social history, The English Novel, These Twain, Winchester, Women in Love
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Guest post by Damian Grant: ‘Women in Love’ — the novel as prophetic book
Lawrence always reminded the novel of its promise to offer something new. In his essays, where he insists that the novel ‘has got to present us with new, really new feelings, a whole line of new emotion, which will get … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged antagonism, Cain, comments, counterpoint, D.H. Lawrence, Damian Grant, E.M. Forster, Edward Garnett, English novel, George Eliot, Gerald Crich, Gudrun Brangwen, imagery, Jan Juta, Jane Austen, Loerke, Macbeth, marriage, Mary Shelley, National Portrait Gallery, Phoenix, Pity, Rupert Birkin, sex, Sherwood Forest, Tate Gallery, The Ghost of a Flea, The Great War, the novel, The Rainbow, The Sisters, Ursula Brangwen, William Blake, William Rothenstein, William Shakespeare, Women in Love, World War I
8 Comments
Guest post by John Pym: ‘Women in Love’ and Glenda Jackson’s Oscar
In London in the 1970s and 80s I used to review movies for the British Film Institute’s Monthly Film Bulletin. That serious, no-frills journal, founded in 1934, aimed to cover every feature film released in UK cinemas. Some of the … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Ballets Russes, Billy Williams, British Film Institute, D.H. Lawrence, Eleanor Bron, Emmanuelle II, film adaptations, films, Gerald Crich, Glenda Jackson, Hermione Roddice, Jennie Linden, John Pym, Ken Russell, Larry Kramer, Loerke, Oliver Reed, Oscars, Penelope 'Pulls It Off', Peter Brook, pornography, Richard Heffer, Rupert Birkin, soft porn, The Rite of Spring, There's No Sex Like Snow Sex, Ursula Brangwen, Vladek Sheybal, Women in Love
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‘Hurtler’ Brangwen, woman in love
Let me explain what lies behind the next three instalments of Calderonia, which are distinguished guest posts taking us up to 8 March and beyond. As part of our lockdown season of old films, Alison and I watched a DVD … Continue reading
Posted in Edwardian character, Edwardian English, Edwardian literature, Edwardian marriage, Personal commentary
Tagged Alan Bates, Bildungsroman, biography, comments, D.H. Lawrence, Damian Grant, F.R. Leavis, George Calderon, Glenda Jackson, Gudrun Brangwen, Jennie Linden, John Pym, Ken Russell, Lady Chatterley's Lover, Laurence Brockliss, love, marriage, Penguin Books, Rupert Birkin, The Great War, The Rainbow, Ursula Brangwen, Women in Love, World War I
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John Baines: exemplar of a young officer
‘Exemplar’, not ‘exemplary’, because John Stanhope Baines, son of the Herbert Stanhope Baines who features in Laurence Brockliss’s recent guest post, would not have wanted anyone to regard him as an exemplary young officer of World War I. When he … Continue reading
Posted in Edwardian character, Edwardian marriage, Heroism and Adventure, Personal commentary
Tagged Andrew Baines, Armistice, Austro-Hungary, Baines dynasty, Belgium, British Expeditionary Force, Bulgaria, Dearest Mother, Elisabeth Wicksteed, Elizabeth Baines, Erich Ludendorff, Gallipoli, George Calderon, Germany, Greece, Helion, Herbert Stanhope Baines, Honor Baines, Joanna Palmer, John Baines, Laurence Brockliss, Macedonia, Raphael Kirchner, roadmaking, Royal Engineers, Salonika, Sappers, The Great War, The Leeds Mercury, The Times, Turkey, Winchester College, Windsor Spring Festival, World War I, Ypres
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Guest Post: Laurence Brockliss, ‘George Calderon and the Demographic Revolution’
George Calderon married Kittie shortly before his thirty-second birthday. For a professional man at the turn of the twentieth century, this was not an uncommon age to wed. For the last ten years I have been leading a cross-generational study … Continue reading
Posted in Edwardian character, Edwardian literature, Edwardian marriage, Modern parallels, Personal commentary
Tagged Aileen Alison Furse, Archie Ripley, Baines dynasty, biographies, birth rate, Cambridge Scool of Historical Demography, Charlotte Talbot, Clara Calderon, Demographic Revolution, Edward Baines Junior, Edward Baines Senior, Edward VII, Elizabeth Graham, George Armand Furse, George Calderon, George Gissing, Gonville and Caius College, grammar schools, Hazel Louisa Furse, Herbert Stanhope Baines, infant mortality, J.A. Banks, Jim Corbet, John William Baines, Kim Philby, Kittie Calderon, Leeds, Leeds Mercury, Liberal Party, marriage, New Grub Street, Nina Astley, Nina Corbet, professional class, prosopography, prostitution, public schools, Sir Roland James Corbet, The Great War, Victorian professions, Wilfred Owen, William Jackson, World War I
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From the diary of a writer-publisher: 17
24 January 2022 I have received several emails commiserating with me over my ‘anxiety’ and ‘nightmares’ about marking examination papers. The writers clearly assume I am Dr Robinson in my story Ghoune — that the story is strictly autobiographical and … Continue reading →